1953 – Ann Lowe, Jacqueline Kennedy’s Wedding dress
Jacqueline Kennedy’s wedding dress symbolizes the political ambitions of the Kennedys and the unsung story of African-American designer Ann Lowe.
Read MoreJacqueline Kennedy’s wedding dress symbolizes the political ambitions of the Kennedys and the unsung story of African-American designer Ann Lowe.
Read MoreWhile technology progressed in the first decade of the twentieth century, fashion largely remained the same. Subtle changes in silhouette occurred in womenswear until the tubular shape of the 1910s was beginning to emerge by the end of the decade. Lace and other embellishments were key. Menswear continued to see the suit as the primary style, though the tuxedo became increasingly acceptable as formal wear in the evening. Children continued to be dressed like mini-adults and styles such has the sailor suit continued to be popular options.
Read MoreIntroduced in the nineteenth century to modernize Ottoman fashion, the fez came to represent resistance to change. The processes by which this shift occurred reveal the dynamism and complexity of the late Ottoman society.
Read MoreOften anachronistically called the ‘S-bend,’ the dramatic straight-front corset of the early 1900s was invented by a doctor for health purposes and quickly swept up into the tides of fashion.
Read MoreWhen the spirit of the ’60s brought new relevance to the ’20s silhouette, Norman Norell was at the vanguard of the revival. Indeed, at a time when other designers looked toward the future, Norell looked to the past.
Read MoreEmulating the work of Old Masters, William Merritt Chase paints Lydia Field Emmet wearing black as a fashionable color and immediately catches the viewer’s attention with the shocking vertical contrast of a pink ribbon.
Read MoreThe 1760s mark the last decade during which the robe à la française dominated women’s wardrobes since it was first introduced in the 1720s. In the last three decades of the eighteenth century, other, more informal styles became fashionable for daywear and the robe à la française was increasingly worn for evening. For men, the distinction between the subdued informality of Englishmen’s dress and the colorful formality of Continental styles (particularly those of France and Italy) remained pronounced, although this would change in the following decades in favor of the former. The narrowing of the coat that began around 1750 continued in this decade and a low standing collar that would increase in height until the end of the century appeared in the middle years.
Read MoreThis 18th-century grand manner portrait of two cousins juxtaposes fashionable turquerie with luxurious but conventional children’s clothing.
Read MoreThe 1690s silhouette for women was extremely vertical and linear with the long-trained mantua being amplified by the towering fontange lace headdress. The more modest jacket-style mantua bodices are often attributed to the influence of Madame de Maintenon, the secret wife of King Louis XIV. Men’s coats gained fuller skirts and their wigs were now two-peaked and, by the end of the century, powdered gray or white.
Read More
fez
1883 – Charles Frederick Worth, red silk satin and velvet dinner dress
The Fez and the Ottoman Path to Modernity
1869 – Red Silk Dress