A decorated triangular-shaped panel that fills in the front opening of a women’s gown or bodice during the late 15th century to the late 18th century.
Arthur Devis’s 1747 portrait of Mr. and Mrs. Bull seems to depict a quite fashionable couple in the year of their marriage in what we presume to be their home. But closer analysis reveals that much of the work is likely a fiction, though the clothes they’re sporting–whether their own or imagined–remain fashionable.
A highly successful artist in Amsterdam, Ferdinand Bol, much like Rembrandt, became known for the detailed characterization of his sitters–in particular his portraits of women. As is typical of a betrothal portraits, this image displays the sitter’s wealth through her lavish textiles and jewelry.