1592 – Marcus Gheeraerts the Younger, Elizabeth I (1533-1601), Queen of England
Queen Elizabeth I’s striking ensemble in The Ditchley Portrait by Marcus Gheeraerts the Younger embodied the height and extremity of 1590s court fashion.
Queen Elizabeth I’s striking ensemble in The Ditchley Portrait by Marcus Gheeraerts the Younger embodied the height and extremity of 1590s court fashion.
A decorated triangular-shaped panel that fills in the front opening of a women’s gown or bodice during the late 15th century to the late 18th century.
Arthur Devis’s 1747 portrait of Mr. and Mrs. Bull seems to depict a quite fashionable couple in the year of their marriage in what we presume to be their home. But closer analysis reveals that much of the work is likely a fiction, though the clothes they’re sporting–whether their own or imagined–remain fashionable.
A highly successful artist in Amsterdam, Ferdinand Bol, much like Rembrandt, became known for the detailed characterization of his sitters–in particular his portraits of women. As is typical of a betrothal portraits, this image displays the sitter’s wealth through her lavish textiles and jewelry.