Category: 19th century

For a brief overview, see the V&A's "Introduction to 19th-Century Fashion" and "History of Fashion, 1840-1900."

For more in-depth information, see the decade overviews and bibliographies below.

Decade Overviews

Bibliography

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All

Adburgham, Alison. Shopping in Style: London from the Restoration to Edwardian Elegance. London: Thames and Hudson, 1979. http://www.worldcat.org/oclc/936655638.
Adburgham, Alison. Shops and Shopping, 1800-1914: Where, and in What Manner the Well-Dressed Englishwoman Bought Her Clothes. London: Barrie & Jenkins, 1989. http://www.worldcat.org/oclc/793213370.
Adburgham, Alison. Liberty’s: A Biography of a Shop. London: Allen & Unwin, 1975. http://www.worldcat.org/oclc/701790623.
Adburgham, Alison. Silver Fork Society: Fashionable Life and Literature from 1814-1840. London: Constable, 1983. http://www.worldcat.org/oclc/11397775.
Adburgham, Alison. Women in Print: Writing Women and Women’s Magazines from the Restoration to the Accession of Victoria. London: Allen and Unwin, 1972. http://www.worldcat.org/oclc/978262856.
Aincourt, Marguerite d’. L’Art de La Femme. Etudes Sur Le Costume Féminin. Paris: Rouveyre et Blond, 1883.
Amies, Hardy. The Englishman’s Suit: A Personal View of Its History, Its Place in the World Today, Its Future and the Accessories Which Support It. London: Quartet Books, 1994. http://www.worldcat.org/oclc/906647403.
Amnéus, Cynthia. A Separate Sphere: Dressmakers in Cincinnati’s Golden Age, 1877-1922. Costume Society of America Series. Lubbock: Texas Tech University Press, 2003. http://www.worldcat.org/oclc/907017627.
André-Valdès. Encyclopédie Illustrée Des Élégances Féminines. Paris: Librairie Marpon et Flammarion, 1892. http://www.worldcat.org/oclc/66582628.
Apraxine, Pierre, Xavier Demange, Françoise Heilbrun, and Michele Falzone del Barbarò. “La Divine Comtesse”: Photographs of the Countess de Castiglione. Rev. New Haven: Yale University Press, 2000. http://www.worldcat.org/oclc/925100236.
Arnold, Janet. “Dashing Amazons: The Development of Women’s Riding Dress, c. 1500-1900.” In Defining Dress : Dress as Object, Meaning, and Identity, edited by Amy De La Haye and Elizabeth Wilson, 10–29. New York: Manchester University Press, 2000. http://www.worldcat.org/oclc/606855810.
Arnold, Janet. Patterns of Fashion 2: Englishwomen’s Dresses & Their Construction, 1860-1940. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/223335455.
Arnold, Janet. Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction, 1660-1860. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/50099006.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Audin, Heather. Making Victorian Costumes for Women. Ramsbury: The Crowood Press Ltd, 2015. http://www.worldcat.org/oclc/982130792.
Auslander, Leora. “The Gendering of Consumer Practices in Nineteenth-Century France.” In The Sex of Things: Gender and Consumption in Historical Perspective, edited by Victoria De Grazia and Ellen Furlough, 79–112. Berkeley: University of California Press, 1996. http://www.worldcat.org/oclc/538100098.
Bailey, Colin B. Renoir, Impressionism, and Full-Length Painting. New York: Yale University Press, 2012. http://www.worldcat.org/oclc/786139582.
Baines, Barbara Burman. Fashion Revivals: From the Elizabethan Age to the Present Day. London: Batsford, 1981. http://www.worldcat.org/oclc/906403714.
Balducci, Temma, and Heather Belnap Jensen, eds. Women, Femininity, and Public Space in European Visual Culture, 1789–1914. Burlington: Ashgate, 2014. http://www.worldcat.org/oclc/991406564.
Banner, Lois W. American Beauty. Los Angeles: Figueroa Press, 2005. http://www.worldcat.org/oclc/380233956.
Barbera, Annie. “Des journaux et des modes.” In Femmes fin de siècle, 1885-1895: Musée de la mode et du costume, 103–17. Paris: Éditions Paris-Musées, 1990. http://www.worldcat.org/oclc/728099426.
Barreto, Cristina, and Martin Lancaster. Napoleon and the Empire of Fashion: 1795-1815. Milano: Skira, 2010. http://www.worldcat.org/oclc/707608152.
Barrière, Jean-Paul. “Le paraître de la veuve dans la France des XIXe et XXe siècles.” In Paraître et apparences en Europe occidentale du Moyen Âge à nos jours, edited by Isabelle Paresys, 75–96. Villeneuve-d’Ascq: Presses universitaires du Septentrion, 2008. http://www.worldcat.org/oclc/470765462.
Bassett, Lynne Z., ed. Gothic to Goth: Romantic Era Fashion & Its Legacy. Hartford: Wadsworth Atheneum Museum of Art, 2016. http://www.worldcat.org/oclc/965783261.
Baudelaire, Charles. The Painter of Modern Life and Other Essays. Translated by Jonathan Mayne. London: Phaidon, 1964. http://www.worldcat.org/oclc/421862500.
Baumgarten, Linda. What Clothes Reveal: The Language of Clothing in Colonial and Federal America: The Colonial Williamsburg Collection. New Haven: Yale University Press, 2002. http://www.worldcat.org/oclc/812504250.
Baynes, Ken, and Kate Baynes, eds. The Shoe Show: British Shoes since 1790. London: Crafts Council, 1979. http://www.worldcat.org/oclc/993562974.
Beard, Geoffrey W. The Compleat Gentleman: Five Centuries of Aristocratic Life. New York: Rizzoli, 1993. http://www.worldcat.org/oclc/989764594.
Beaujot, Ariel. Victorian Fashion Accessories. London: Berg, 2012. http://www.worldcat.org/oclc/931665200.
Beetham, Margaret. A Magazine of Her Own?: Domesticity and Desire in the Woman’s Magazine, 1800-1914. London: Routledge, 1996. http://www.worldcat.org/oclc/939596121.
Bellanger, Claude. Histoire Générale de La Presse Française: 1815 à 1871. Paris: Presses universitaires de France, 1969. http://www.worldcat.org/oclc/651780753.
Benjamin, Walter. “Fashion.” In The Arcades Project, edited by Rolf Tiedemann, 62–81. Cambridge: Belknap Press, 1999. http://www.worldcat.org/oclc/441939116.
Bennett, Anna G., and Ruth Berson, eds. Fans in Fashion: Selections from the Fine Arts Museums of San Francisco. San Francisco: Fine Arts Museums of San Francisco, 1981. http://www.worldcat.org/oclc/834452507.
Berg, Maxine, and Helen Clifford. Consumers and Luxury: Consumer Culture in Europe, 1650-1850. Manchester: Manchester University Press, 1999. http://www.worldcat.org/oclc/41387804.
Bernstein, Aline. Masterpieces of Women’s Costume of the 18th and 19th Centuries. New York: Crown Publishers, 1959. http://www.worldcat.org/oclc/885480066.
Beukel, Dorine van den. Fashion Design 1850-1895. New York: By Design Press, 1997. http://www.worldcat.org/oclc/743141113.
Binney, Marcus, Simon Crompton, Alasdair Macleod, Colin McDowell, Peter Tilley, Harold Koda, and Bruno Ehrs. One Savile Row: The Invention of the English Gentleman, Gieves & Hawkes. Paris: Flammarion, 2014. http://www.worldcat.org/oclc/935574290.
Birmingham, Nan Tillson. Store: A Memoir of America’s Greatest Department Stores. New York: Putnam, 1978. http://www.worldcat.org/oclc/918392031.
Bissonnette, Anne. Fashion on the Ohio Frontier, 1790-1840. Kent: Kent State University Museum, 2003. http://www.worldcat.org/oclc/54531345.
Blanc, Charles. Art in Ornament and Dress. New York: Scribner Welford and Armstrong, 1877. http://www.worldcat.org/oclc/903437797.
Blanc, Charles. Considérations Sur Le Vêtement Des Femmes : Fragments d’un Ouvrage Sur Les Arts Décoratifs Publié Dans La “Gazette Des Beaux-Arts” : Lu Dans La Séance Publique Annuelle Des Cinq Académies, Le Vendredi 25 Octobre 1872. Paris: Didot, 1872. http://www.worldcat.org/oclc/457076559.
Blum, Stella. Designs by Erté: Fashion Drawings and Illustrations from “Harper’s Bazar.” New York: Dover Publications, 1976. http://www.worldcat.org/oclc/964269386.
Blum, Stella. Victorian Fashions and Costumes from Harper’s Bazar, 1867-1898. Dover Pictorial Archive Series. New York: Dover Publications, 1974. http://www.worldcat.org/oclc/957329328.
Blum, Stella, ed. Paris Fashions of the 1890s: A Picture Source Book with 350 Designs, Including 24 in Full Color. New York: Dover, 1984. http://www.worldcat.org/oclc/936536136.
Blum, Stella, ed. Eighteenth-Century French Fashion Plates in Full Color: 64 Engravings from the “Galerie Des Modes,” 1778-1787. New York: Dover Publications, 1982. http://www.worldcat.org/oclc/984499179.
Blum, Stella, ed. Fashions and Costumes from Godey’s Lady’s Book. New York: Dover Publications, 1985. http://www.worldcat.org/oclc/868274079.
Blum, Stella, and Rudolph Ackermann, eds. Ackermann’s Costume Plates: Women’s Fashions in England, 1818-1828. New York: Dover Publications, 1978. http://www.worldcat.org/oclc/877051325.
Blum, Dilys, and Kristina Haugland. Best Dressed: Fashion from the Birth of Couture to Today. Philadelphia: Philadelphia Museum of Art, 1997. http://www.worldcat.org/oclc/890375076.
Bolton, Andrew. AngloMania: Tradition and Transgression in British Fashion. New York: Metropolitan Museum of Art, 2006. http://www.worldcat.org/oclc/886331796.
Bolton, Andrew, and Nicholas Alan Cope. Manus x Machina: Fashion in an Age of Technology. New York: Metropolitan Museum of Art, 2016. http://www.worldcat.org/oclc/995309462.

Accessories, Hair & Makeup

Baynes, Ken, and Kate Baynes, eds. The Shoe Show: British Shoes since 1790. London: Crafts Council, 1979. http://www.worldcat.org/oclc/993562974.
Beaujot, Ariel. Victorian Fashion Accessories. London: Berg, 2012. http://www.worldcat.org/oclc/931665200.
Bennett, Anna G., and Ruth Berson, eds. Fans in Fashion: Selections from the Fine Arts Museums of San Francisco. San Francisco: Fine Arts Museums of San Francisco, 1981. http://www.worldcat.org/oclc/834452507.
Brett, Mary. Fashionable Mourning Jewelry, Clothing & Customs. Atglen, PA: Schiffer Pub., 2006. http://www.worldcat.org/oclc/474408909.
Buck, Anne. Victorian Costume and Costume Accessories. Rev. 2nd ed. Carlton, Bedford: Ruth Bean, 1984. http://www.worldcat.org/oclc/38134824.
Bury, Shirley. “Rossetti and His Jewellery.” The Burlington Magazine 118, no. 875 (1976): 94, 96–102.
Earnshaw, Pat. Lace in Fashion: From the Sixteenth to the Twentieth Centuries. 2nd ed. Guildford: Gorse, 1991. http://www.worldcat.org/oclc/24749135.
Finamore, Michelle Tolini. “Beetle Abominations” and Birds on Bonnets Zoological Fantasy in Late-Nineteenth-Century Dress, 2002. http://www.worldcat.org/oclc/888862856.
Flower, Margaret Cameron Coss, and Doris Langley Moore. Victorian Jewellery. Mineola, NY: Dover Publications, 2002. http://www.worldcat.org/oclc/963778304.
Gere, Charlotte, and Judy Rudoe. Jewellery in the Age of Queen Victoria: A Mirror to the World. London: The British Museum Press, 2012. http://www.worldcat.org/oclc/901292245.
Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. http://www.worldcat.org/oclc/491903689.
Kessler, Marni Reva. Sheer Presence: The Veil in Manet’s Paris. Minneapolis: University of Minnesota Press, 2006. http://www.worldcat.org/oclc/182859612.
Langley, Susan, and John Dowling. Vintage Hats & Bonnets, 1770-1970: Identification & Values. Paducah, KY: Collector Books, 1998. http://www.worldcat.org/oclc/55080931.
Sidlauskas, Susan. “Painting Skin: John Singer Sargent’s ‘Madame X.’” American Art 15, no. 3 (Autumn 2001): 8–33. https://doi.org/10.1086/444645.
Starobinski, Jean. Revolution in Fashion : European Clothing, 1715-1815. New York: Abbeville Press, 1989. http://www.worldcat.org/oclc/1011626583.
Stevens-Cox, James. An Illustrated Dictionary of Hairdressing & Wigmaking. London: Batsford, 1989. http://www.worldcat.org/oclc/869664982.

Cut & Construction

Arnold, Janet. Patterns of Fashion 2: Englishwomen’s Dresses & Their Construction, 1860-1940. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/223335455.
Arnold, Janet. Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction, 1660-1860. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/50099006.
Audin, Heather. Making Victorian Costumes for Women. Ramsbury: The Crowood Press Ltd, 2015. http://www.worldcat.org/oclc/982130792.
Bradfield, Nancy Margetts. Costume in Detail, 1730-1930. New York: Costume & Fashion Press, 1997. http://www.worldcat.org/oclc/440933135.
Brown, William L., and Andrew Chamberlain. Thoughts on Men’s Shirts in America, 1750-1900. Gettysburg: Thomas Publications, 1999. http://www.worldcat.org/oclc/42893444.
Gordon, S. S. Turn-of-the-Century Fashion Patterns and Tailoring Techniques. Mineola, NY: Dover Publications, 2000. http://www.worldcat.org/oclc/44802850.
Harris, Kristina, ed. Authentic Victorian Dressmaking Techniques. Mineola, NY: Dover Publications, 1999. http://www.worldcat.org/oclc/868279300.
Harris, Kristina, ed. Authentic Victorian Fashion Patterns: A Complete Lady’s Wardrobe. Mineola, NY: Dover Publications, 1999. http://www.worldcat.org/oclc/868270109.
Holding, Thomas Hiram, and R. L. Shep. Late Victorian Women’s Tailoring: The Direct System of Ladies’ Cutting (1897). 3rd ed., rev.Enl. Mendocino, CA: R.L. Shep, 1997. http://www.worldcat.org/oclc/1008479099.
Hunnisett, Jean. Period Costume for Stage & Screen: Patterns for Women’s Dress, 1800-1909. Studio City: Players Press, 1991. http://www.worldcat.org/oclc/972622523.
Johnston, Lucy, Marion Kite, and Helen Persson. Nineteenth-Century Fashion in Detail. London: V&A Publications, 2005. http://www.worldcat.org/oclc/699004351.
Levitt, Sarah. Victorians Unbuttoned: Registered Designs for Clothing, Their Makers and Wearers, 1839-1900. London: Allen & Unwin, 1986. http://www.worldcat.org/oclc/476325656.
Lynn, Eleri, Richard Davis, and Leonie Davis. Underwear: Fashion in Detail. London: V&A, 2010. http://www.worldcat.org/oclc/898658061.
Maclochlainn, Jason. The Victorian Tailor: An Introduction to Period Tailoring. New York: St. Martin’s Griffin, 2011. http://www.worldcat.org/oclc/963840258.
Starobinski, Jean. Revolution in Fashion : European Clothing, 1715-1815. New York: Abbeville Press, 1989. http://www.worldcat.org/oclc/1011626583.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Waugh, Norah. Corsets and Crinolines. New York: Routledge/Theatre Arts Books, 2000. http://www.worldcat.org/oclc/969973332.
Waugh, Norah. The Cut of Men’s Clothes, 1600-1900. New York: Theatre Arts Books, 1964. http://www.worldcat.org/oclc/927414537.
Waugh, Norah, and Margaret Woodward. The Cut of Women’s Clothes, 1600-1930. New York: Theatre Arts Books, 1968. http://www.worldcat.org/oclc/894728161.

Exhibition & Museum Collection Catalogues

Amnéus, Cynthia. A Separate Sphere: Dressmakers in Cincinnati’s Golden Age, 1877-1922. Costume Society of America Series. Lubbock: Texas Tech University Press, 2003. http://www.worldcat.org/oclc/907017627.
Apraxine, Pierre, Xavier Demange, Françoise Heilbrun, and Michele Falzone del Barbarò. “La Divine Comtesse”: Photographs of the Countess de Castiglione. Rev. New Haven: Yale University Press, 2000. http://www.worldcat.org/oclc/925100236.
Bailey, Colin B. Renoir, Impressionism, and Full-Length Painting. New York: Yale University Press, 2012. http://www.worldcat.org/oclc/786139582.
Bassett, Lynne Z., ed. Gothic to Goth: Romantic Era Fashion & Its Legacy. Hartford: Wadsworth Atheneum Museum of Art, 2016. http://www.worldcat.org/oclc/965783261.
Baumgarten, Linda. What Clothes Reveal: The Language of Clothing in Colonial and Federal America: The Colonial Williamsburg Collection. New Haven: Yale University Press, 2002. http://www.worldcat.org/oclc/812504250.
Baynes, Ken, and Kate Baynes, eds. The Shoe Show: British Shoes since 1790. London: Crafts Council, 1979. http://www.worldcat.org/oclc/993562974.
Bennett, Anna G., and Ruth Berson, eds. Fans in Fashion: Selections from the Fine Arts Museums of San Francisco. San Francisco: Fine Arts Museums of San Francisco, 1981. http://www.worldcat.org/oclc/834452507.
Bernstein, Aline. Masterpieces of Women’s Costume of the 18th and 19th Centuries. New York: Crown Publishers, 1959. http://www.worldcat.org/oclc/885480066.
Bissonnette, Anne. Fashion on the Ohio Frontier, 1790-1840. Kent: Kent State University Museum, 2003. http://www.worldcat.org/oclc/54531345.
Blum, Dilys, and Kristina Haugland. Best Dressed: Fashion from the Birth of Couture to Today. Philadelphia: Philadelphia Museum of Art, 1997. http://www.worldcat.org/oclc/890375076.
Bolton, Andrew. AngloMania: Tradition and Transgression in British Fashion. New York: Metropolitan Museum of Art, 2006. http://www.worldcat.org/oclc/886331796.
Bolton, Andrew, and Nicholas Alan Cope. Manus x Machina: Fashion in an Age of Technology. New York: Metropolitan Museum of Art, 2016. http://www.worldcat.org/oclc/995309462.
Brooklyn, Museum. The House of Worth. Brooklyn, 1962. http://www.worldcat.org/oclc/575608332.
Calahan, April, and Karen Trivette Cannell. Fashion Plates: 150 Years of Style. New Haven: Yale University Press, 2015. http://www.worldcat.org/oclc/967691604.
Carlano, Marianne. “May Morris in Context: British Artistic Needlework and Its Influence on European Embroidery, 1862-1902.” In Early Modern Textiles : From Arts and Crafts to Art Deco, 11–27. Boston: Museum of Fine Arts, 1993. http://www.worldcat.org/oclc/28840228.
Coleman, Elizabeth A. Changing Fashions, 1800-1970. Brooklyn: Brooklyn Museum, 1972. http://www.worldcat.org/oclc/473214130.
Coleman, Elizabeth A. The Opulent Era: Fashions of Worth, Doucet, and Pingat. New York: Thames and Hudson, 1989. http://www.worldcat.org/oclc/20771144.
Coleman, Elizabeth Ann. Of Men Only: A Review of Men’s and Boy’s Fashions, 1750-1975, the Brooklyn Museum. Brooklyn: The Museum, 1975. http://www.worldcat.org/oclc/2214540.
De Young, Justine. “Fashion and the Press.” In Impressionism, Fashion & Modernity, edited by Gloria Groom, 233–43. New Haven: Yale University Press, 2012. http://www.worldcat.org/oclc/843185621.
DeLorme, Eleanor P., and Bernard Chevallier, eds. Joséphine and the Arts of the Empire. Los Angeles: J.P. Getty Museum, 2005. http://www.worldcat.org/oclc/845841070.
Feeney, Maura. A La Mode: Women’s Fashions in French Art, 1850-1900, 1982. http://www.worldcat.org/oclc/501658076.
Fukai, Akiko, and Tamami Suoh. Fashion: The Kyoto Costume Institute: From the 18th to the 20th Century. London: Taschen, 2004. http://www.worldcat.org/oclc/777950691.
Gibbs-Smith, Charles Harvard. The Fashionable Lady in the 19th Century. London: H.M. Stationery Off, 1969. http://www.worldcat.org/oclc/270790097.
Goldthorpe, Caroline. From Queen to Empress: Victorian Dress 1857-1877. New York: Metropolitan Museum of Art, 1988. http://www.worldcat.org/oclc/464219264.
Groom, Gloria. L’ impressionnisme et la mode. Paris: Skira-Flammarion, 2012. http://www.worldcat.org/oclc/959190545.
Groom, Gloria Lynn, ed. Impressionism, Fashion & Modernity. Chicago: Art Institute of Chicago, 2012. http://www.worldcat.org/oclc/794814340.
Hall-Duncan, Nancy. The History of Fashion Photography. New York: Alpine Book Co, 1979. http://www.worldcat.org/oclc/3844418.
Hambourg, Maria Morris. Nadar. New York: Metropolitan Museum of Art, 2013. http://www.worldcat.org/oclc/851034965.
Hambourg, Maria Morris, ed. The Waking Dream: Photography’s First Century: Selections from the Gilman Paper Company Collection. New York: Metropolitan Museum of Art, 1993. http://www.worldcat.org/oclc/185892388.
Hansen, Dorothee. Monet und Camille: Frauenportraits im Impressionismus. Munich: Hirmer, 2005. http://www.worldcat.org/oclc/489638739.
Healy, Robyn, ed. Worth to Dior: 20th Century Fashion from the Collection of the National Gallery of Victoria. Melbourne: The Gallery, 1993. http://www.worldcat.org/oclc/861792696.
Hollander, Anne. Fabric of Vision: Dress and Drapery in Painting. London: National Gallery, 2002. http://www.worldcat.org/oclc/930256016.
Irvin, Kate, and Laurie Anne Brewer. Artist, Rebel, Dandy: Men of Fashion. New Haven: Yale University Press, 2013. http://www.worldcat.org/oclc/852655224.
Joannis, Claudette, ed. Joséphine, Imperatrice de La Mode: L’élégance Sous l’Empire. Paris: Réunion des musées nationaux, 2007. http://www.worldcat.org/oclc/1008328253.
Johnson, Susan Gail, Phyllis Magidson, Thomas Mellins, Donald Albrecht, and Jeannine J. Falino, eds. Gilded New York: Design, Fashion, and Society. New York: Museum of the City of New York, 2013. http://www.worldcat.org/oclc/900784012.
Johnston, Lucy, Marion Kite, and Helen Persson. Nineteenth-Century Fashion in Detail. London: V&A Publications, 2005. http://www.worldcat.org/oclc/699004351.
Kidwell, Claudia Brush, and Margaret C. S. Christman. Suiting Everyone: The Democratization of Clothing in America. Smithsonian Institution Press Publication No. 5176. Washington: Smithsonian Institution Press, 1974. http://www.worldcat.org/oclc/150630668.
Lambert, Miles. Fashion in Photographs 1860-1880. London: Batsford, 1991. http://www.worldcat.org/oclc/300306371.
Levitt, Sarah. Fashion in Photographs 1880-1900. Batsford Fashion Guides. London: Batsford, 1991. http://www.worldcat.org/oclc/1008122374.
MacDonald, Margaret F., Susan Grace Galassi, Aileen Ribeiro, and Samuel Sachs. Whistler, Women, & Fashion. New Haven: Yale University Press, 2003. http://www.worldcat.org/oclc/757386204.
Maeder, Edward, and Evelyn Ackerman, eds. Dressed for the Country, 1860-1900: Exhibition. Los Angeles: Los Angeles County Museum of Art, 1984. http://www.worldcat.org/oclc/562356615.
Martin, Richard, and Harold Koda. Haute Couture. New York: Metropolitan Museum of Art, 1995. http://www.worldcat.org/oclc/60152621.
Martin, Richard, and Harold Koda. Orientalism: Visions of the East in Western Dress. New York: Metropolitan Museum of Art, 1994. http://www.worldcat.org/oclc/31377749.
Martin, Richard, Harold Koda, and Ruben Toledo, eds. Waist Not: The Migration of the Waist 1800-1960. New York: Metropolitan Museum of Art, 1994. http://www.worldcat.org/oclc/30625602.
Matyjaszkiewicz, Krystyna. “Costume in Tissot’s Pictures.” In James Tissot, 64–77. Oxford: Phaidon, 1984. http://www.worldcat.org/oclc/630471252.
McCauley, Elizabeth Anne. “Photography, Fashion, and the Cult of Appearances.” In Impressionism, Fashion & Modernity, edited by Gloria Groom, 197–207. New Haven: Yale University Press, 2012. http://www.worldcat.org/oclc/843185621.
McClendon, Emma, ed. Denim: Fashion’s Frontier. New Haven: Yale University Press, 2016. http://www.worldcat.org/oclc/930798077.
Meunier, Céline. Dans les armoires de l’impératrice Joséphine: la collection de costumes féminins du château de Malmaison. Paris: Art Lys, 2016. http://www.worldcat.org/oclc/973422293.
Muller, Florence, Farid Chenoune, and Phillippe Thiébaut. Dior Impressions: The Inspiration and Influence of Impressionism at the House of Dior. New York: Rizzoli, 2013. http://www.worldcat.org/oclc/876440735.
Munhall, Edgar, and James McNeill Whistler. Whistler and Montesquiou: The Butterfly and the Bat. New York: Frick Collection, 1995. http://www.worldcat.org/oclc/906660284.

Fashion Designers

Brooklyn, Museum. The House of Worth. Brooklyn, 1962. http://www.worldcat.org/oclc/575608332.
Coleman, Elizabeth A. The Opulent Era: Fashions of Worth, Doucet, and Pingat. New York: Thames and Hudson, 1989. http://www.worldcat.org/oclc/20771144.
De La Haye, Amy, and Valerie D. Mendes. The House of Worth: Portrait of an Archive. London: V&A Publishing, 2014. http://www.worldcat.org/oclc/900401202.
De Marly, Diana. Worth: Father of Haute Couture. London: Elm Tree Books, 1980. http://www.worldcat.org/oclc/955329175.
Deihl, Nancy. “Creed.” In Grove Art Online. Oxford Art Online. Oxford University Press. Accessed July 26, 2017. http://www.oxfordartonline.com/subscriber/article/grove/art/T2079839.
Ffoulkes, F. “‘Quality Always Distinguishes Itself’: Louis Hippolyte LeRoy and the Luxury Clothing Industry in Early Nineteenth-Century Paris.” In Consumers and Luxury: Consumer Culture in Europe, 1650-1850, edited by Maxine Berg and Helen Clifford. Manchester: Manchester University Press, 1999. http://www.worldcat.org/oclc/41387804.
Font, Lourdes M. “Worth, Charles Frederick.” In Grove Art Online. Oxford Art Online. Oxford University Press. Accessed July 18, 2017. http://www.oxfordartonline.com/subscriber/article/grove/art/T2081277.
Font, Lourdes M., and Elizabeth McMahon. “LeRoy, Louis Hippolyte.” In Grove Art Online. Oxford Art Online. Oxford University Press. Accessed July 18, 2017. http://www.oxfordartonline.com/subscriber/article/grove/art/T2081334.
McDowell, Colin. “Jeanne Lanvin (1867-1946).” The Business of Fashion, August 30, 2015. https://www.businessoffashion.com/articles/education/jeanne-lanvin-1867-1946.
Milbank, Caroline Rennolds. Couture: The Great Designers. New York: Stewart, Tabori & Chang, 1985. http://www.worldcat.org/oclc/637630618.
Piazza, Arianna, ed. Fashion 150: 150 Years, 150 Designers. London: Laurence King Publishing, 2016. http://www.worldcat.org/oclc/961459695.
Polan, Brenda, and Roger Tredre. The Great Fashion Designers. Oxford: Berg Publishers, 2009. http://www.worldcat.org/oclc/757717009.
Reed Miller, Rosemary E. Threads of Time: The Fabric of History: Profiles of African American Dressmakers and Designers, 1850-2002. 3rd ed. Washington: T & S Press, 2006. http://www.worldcat.org/oclc/172683699.
Reeder, Jan Glier. “Callot Soeurs.” In Grove Art Online. Oxford Art Online. Oxford University Press, n.d. http://www.oxfordartonline.com/subscriber/article/grove/art/T2081341.
Saunders, Edith. The Age of Worth: Couturier to the Empress Eugénie. Bloomington: Indiana University Press, 1955. http://www.worldcat.org/oclc/1008214164.
Whitaker, M. B. “Louis Vuitton.” In Grove Art Online. Oxford Art Online. Oxford University Press. Accessed July 26, 2017. http://www.oxfordartonline.com/subscriber/article/grove/art/T2080216.

Industry & Consumerism

Adburgham, Alison. Shopping in Style: London from the Restoration to Edwardian Elegance. London: Thames and Hudson, 1979. http://www.worldcat.org/oclc/936655638.
Adburgham, Alison. Shops and Shopping, 1800-1914: Where, and in What Manner the Well-Dressed Englishwoman Bought Her Clothes. London: Barrie & Jenkins, 1989. http://www.worldcat.org/oclc/793213370.
Adburgham, Alison. Liberty’s: A Biography of a Shop. London: Allen & Unwin, 1975. http://www.worldcat.org/oclc/701790623.
Adburgham, Alison. Women in Print: Writing Women and Women’s Magazines from the Restoration to the Accession of Victoria. London: Allen and Unwin, 1972. http://www.worldcat.org/oclc/978262856.
Amnéus, Cynthia. A Separate Sphere: Dressmakers in Cincinnati’s Golden Age, 1877-1922. Costume Society of America Series. Lubbock: Texas Tech University Press, 2003. http://www.worldcat.org/oclc/907017627.
Auslander, Leora. “The Gendering of Consumer Practices in Nineteenth-Century France.” In The Sex of Things: Gender and Consumption in Historical Perspective, edited by Victoria De Grazia and Ellen Furlough, 79–112. Berkeley: University of California Press, 1996. http://www.worldcat.org/oclc/538100098.
Beetham, Margaret. A Magazine of Her Own?: Domesticity and Desire in the Woman’s Magazine, 1800-1914. London: Routledge, 1996. http://www.worldcat.org/oclc/939596121.
Bellanger, Claude. Histoire Générale de La Presse Française: 1815 à 1871. Paris: Presses universitaires de France, 1969. http://www.worldcat.org/oclc/651780753.
Benjamin, Walter. “Fashion.” In The Arcades Project, edited by Rolf Tiedemann, 62–81. Cambridge: Belknap Press, 1999. http://www.worldcat.org/oclc/441939116.
Berg, Maxine, and Helen Clifford. Consumers and Luxury: Consumer Culture in Europe, 1650-1850. Manchester: Manchester University Press, 1999. http://www.worldcat.org/oclc/41387804.
Birmingham, Nan Tillson. Store: A Memoir of America’s Greatest Department Stores. New York: Putnam, 1978. http://www.worldcat.org/oclc/918392031.
Bowlby, Rachel. Just Looking: Consumer Culture in Dreiser, Gissing, and Zola. New York: Methuen, 1985. http://www.worldcat.org/oclc/260194270http://www.worldcat.org/oclc/260194270.
Breward, Christopher. The Hidden Consumer: Masculinities, Fashion and City Life 1860-1914. Studies in Design and Material Culture. Manchester: Manchester University Press, 1999. http://www.worldcat.org/oclc/466668975.
Burman, Barbara, ed. The Culture of Sewing: Gender, Consumption and Home Dressmaking. Dress, Body, Culture. Oxford: Berg, 1999. http://www.worldcat.org/oclc/43321704.
Calloway, Stephen, ed. Liberty of London: Masters of Style & Decoration. Boston: Little, Brown, 1992. http://www.worldcat.org/oclc/25706886.
Coffin, Judith G. “Consumption, Production, and Gender: The Sewing Machine in Nineteenth-Century France.” In Gender and Class in Modern Europe, edited by Laura L. Frader and Sonya O. Rose, 111–41. Ithaca: Cornell University Press, 1996. http://www.worldcat.org/oclc/878002399.
Crossick, Geoffrey, and Serge Jaumain. Cathedrals of Consumption: The European Department Store, 1850-1939. Brookfield, VT: Ashgate, 1999. http://www.worldcat.org/oclc/934083192.
D’Souza, Aruna. “Why the Impressionists Never Painted the Department Store.” In The Invisible Flâneuse?: Gender, Public Space, and Visual Culture in Nineteenth-Century Paris, edited by Aruna D’Souza and Tom McDonough, 129–47. Manchester: Manchester University Press, 2006. http://www.worldcat.org/oclc/964788013.
De La Haye, Amy, Lou Taylor, and Eleanor Thompson. A Family of Fashion: The Messels: Six Generations of Dress. London: Philip Wilson Publishers, 2005. http://www.worldcat.org/oclc/939243315.
Eisenman, Stephen. “Impressionism and the Commodity.” In Nineteenth Century Art: A Critical History, 244–54. New York: Thames and Hudson, 1994. http://www.worldcat.org/oclc/964821994.
Ferry, John William. A History of the Department Store. New York: Macmillan, 1960. http://www.worldcat.org/oclc/13302322.
Ffoulkes, F. “‘Quality Always Distinguishes Itself’: Louis Hippolyte LeRoy and the Luxury Clothing Industry in Early Nineteenth-Century Paris.” In Consumers and Luxury: Consumer Culture in Europe, 1650-1850, edited by Maxine Berg and Helen Clifford. Manchester: Manchester University Press, 1999. http://www.worldcat.org/oclc/41387804.
Francks, Penelope. The Japanese Consumer: An Alternative Economic History of Modern Japan. Cambridge: Cambridge University Press, 2009. http://www.worldcat.org/oclc/690790242.
Garfield, Simon. Mauve: How One Man Invented a Colour That Changed the World. London: Faber and Faber, 2000. http://www.worldcat.org/oclc/986687493.
Garvey, Ellen Gruber. The Adman in the Parlor : Magazines and the Gendering of Consumer Culture, 1880s to 1910s. New York: Oxford University Press, 1996. http://www.worldcat.org/oclc/300413491.
Goggin, Maureen Daly, and Beth Fowkes Tobin, eds. Material Women, 1750-1950: Consuming Desires and Collecting Practices. Burlington, VT: Ashgate, 2009. http://www.worldcat.org/oclc/1003975819.
Green, Nancy L. Ready-to-Wear and Ready-to-Work: A Century of Industry and Immigrants in Paris and New York. Comparative and International Working-Class History. Durham: Duke University Press, 1997. http://www.worldcat.org/oclc/943472230.
Hahn, H. Hazel. “Fashion Discourses in Fashion Magazines and Delphine de Girardin’s Lettres Parisiennes.” In Scenes of Parisian Modernity: Culture and Consumption in the Nineteenth Century, 63–80. New York: Palgrave Macmillan, 2009. http://www.worldcat.org/oclc/456837270.
Hahn, H. Hazel. Scenes of Parisian Modernity: Culture and Consumption in the Nineteenth Century. New York: Palgrave Macmillan, 2009. http://www.worldcat.org/oclc/456837270.
Hendrickson, Robert. The Grand Emporiums: The Illustrated History of America’s Great Department Stores. New York: Stein and Day, 1980. http://www.worldcat.org/oclc/11476450.
Iskin, Ruth. Modern Women and Parisian Consumer Culture in Impressionist Painting. Cambridge: Cambridge University Press, 2007. http://www.worldcat.org/oclc/870650201.
Iskin, Ruth. “The Flâneuse in French Fin-de-Siècle Posters: Advertising Images of Modern Women in Paris.” In The Invisible Flâneuse?: Gender, Public Space, and Visual Culture in Nineteenth-Century Paris, edited by Aruna D’Souza and Tom McDonough, 113–28. Manchester: Manchester University Press, 2006. http://www.worldcat.org/oclc/814216012.
Ley, Sandra. Fashion for Everyone: The Story of Ready-to-Wear, 1870’s-1970’s. New York: Scribner, 1975. http://www.worldcat.org/oclc/836722645.
Lipovetsky, Gilles. The Empire of Fashion: Dressing Modern Democracy. Princeton: Princeton University Press, 1994. http://www.worldcat.org/oclc/940161612.
Lysack, Krista. “Come Buy, Come Buy: Shopping and the Culture of Consumption in Victorian and Modern Literature by Women.” National Library of Canada = Bibliothèque nationale du Canada, 2002. http://www.worldcat.org/oclc/52919532.
Madsen, Axel. The Marshall Fields. New York: J. Wiley, 2002. http://www.worldcat.org/oclc/611298066.
Marshall, Noreen. Dictionary of Children’s Clothes: 1700s to Present. London: V&A Publishing, 2008. http://www.worldcat.org/oclc/314376664.
Miller, Michael Barry. The Bon Marché: Bourgeois Culture and the Department Store, 1869-1920. Princeton: Princeton University Press, 1981. http://www.worldcat.org/oclc/780096797.
Nevinson, John. L. “Origin and Early History of the Fashion Plate.” United States National Museum Bulletin 250 (1967): 65–92. https://www.gutenberg.org/files/34472/34472-h/34472-h.htm.
Palmer, Alexandra, ed. Fashion: A Canadian Perspective. Toronto: University of Toronto Press, 2004. http://www.worldcat.org/oclc/54692568.
Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton: Princeton University Press, 1994. http://www.worldcat.org/oclc/36749964.
Perrot, Philippe. “The Department Store and the Spread of Bourgeois Clothing.” In Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century, 58–79. Princeton: Princeton University Press, 1994. http://www.worldcat.org/oclc/36749964.
Ross, Kristin. “Introduction: Shopping.” In The Ladies’ Paradise, v–xxiii. Berkeley: University of California Press, 1992.
Ruane, Christine. The Empire’s New Clothes : A History of the Russian Fashion Industry, 1700-1917. New Haven Conn. ; London: Yale University Press, 2009. http://firstsearch.oclc.org/WebZ/DCARead?standardNoType=1&standardNo=9780300141559:srcdbname=worldcat:fromExternal=true&sessionid=0 cover art.
Sanders, Lise. Consuming Fantasies: Labor, Leisure, and the London Shopgirl, 1880-1920. Columbus: Ohio State University Press, 2006. http://www.worldcat.org/oclc/945979832.
Soucek, Gayle. Marshall Field’s: The Store That Helped Build Chicago. Charleston, SC: History Press, 2010. http://www.worldcat.org/oclc/829370502.
Tétart-Vittu, Françoise. Au Paradis Des Dames : Nouveautés, Modes et Confections, 1810-1870. Paris: Éditions Paris-Musées, 1992. http://www.worldcat.org/oclc/463617275.
Tiersten, Lisa. Marianne in the Market: Envisioning Consumer Society in Fin-de-Siècle France. Berkeley: University of California Press, 2001. http://www.worldcat.org/oclc/264836699.
Victoria, and Albert Museum. Liberty’s, 1875-1975: An Exhibition to Mark the Firm’s Centenary July-October 1975. London: The Museum, 1975. http://www.worldcat.org/oclc/680715695.

Menswear

Amies, Hardy. The Englishman’s Suit: A Personal View of Its History, Its Place in the World Today, Its Future and the Accessories Which Support It. London: Quartet Books, 1994. http://www.worldcat.org/oclc/906647403.
Beard, Geoffrey W. The Compleat Gentleman: Five Centuries of Aristocratic Life. New York: Rizzoli, 1993. http://www.worldcat.org/oclc/989764594.
Binney, Marcus, Simon Crompton, Alasdair Macleod, Colin McDowell, Peter Tilley, Harold Koda, and Bruno Ehrs. One Savile Row: The Invention of the English Gentleman, Gieves & Hawkes. Paris: Flammarion, 2014. http://www.worldcat.org/oclc/935574290.
Bolton, Andrew. AngloMania: Tradition and Transgression in British Fashion. New York: Metropolitan Museum of Art, 2006. http://www.worldcat.org/oclc/886331796.
Breward, Christopher. The Hidden Consumer: Masculinities, Fashion and City Life 1860-1914. Studies in Design and Material Culture. Manchester: Manchester University Press, 1999. http://www.worldcat.org/oclc/466668975.
Breward, Christopher. The Suit: Form, Function and Style. London: Reaktion Books, 2016. http://www.worldcat.org/oclc/953627465.
Byrde, Penelope. The Male Image: Men’s Fashion in Britain, 1300-1970. London: B. T. Batsford, 1979. http://www.worldcat.org/oclc/891905981.
Chenoune, Farid. A History of Men’s Fashion. Paris: Flammarion, 1993. http://www.worldcat.org/oclc/29230629.
Coleman, Elizabeth Ann. Of Men Only: A Review of Men’s and Boy’s Fashions, 1750-1975, the Brooklyn Museum. Brooklyn: The Museum, 1975. http://www.worldcat.org/oclc/2214540.
David, Alison Matthews. “Cutting a Figure: Tailoring, Technology and Social Identity in Nineteenth-Century Paris.” Ph.D., Stanford University, 2002. http://www.worldcat.org/oclc/53458565.
De Young, Justine. “Fashioning the (Masculine) Interior: Tissot, Portraiture, Photography & the Fashion Plate.” In Visualizing the Nineteenth-Century Home: Modern Art and the Decorative Impulse, edited by Anca I. Lasc, 104–21. New York: Routledge, 2016.
Deihl, Nancy. “Creed.” In Grove Art Online. Oxford Art Online. Oxford University Press. Accessed July 26, 2017. http://www.oxfordartonline.com/subscriber/article/grove/art/T2079839.
Gieve, David W., ed. Gieves & Hawkes, 1785-1985: The Story of a Tradition: By Appointment to Their Late Majesties King George V, King George VI, and to His Late Royal Highness the Prince of Wales (1921-1936). Portsmouth: Gieves & Hawkes, 1985. http://www.worldcat.org/oclc/12509370.
Harvey, John R. Men in Black. Chicago: University of Chicago Press, 1995. http://www.worldcat.org/oclc/36544780.
Hill, Daniel Delis. American Menswear: From the Civil War to the Twenty-First Century. Lubbock: Texas Tech University Press, 2011. http://www.worldcat.org/oclc/809533432.
Howarth, Stephen. Henry Poole, Founders of Savile Row: The Making of a Legend. Honiton: Bene Factum, 2003. http://www.worldcat.org/oclc/215275224.
Irvin, Kate, and Laurie Anne Brewer. Artist, Rebel, Dandy: Men of Fashion. New Haven: Yale University Press, 2013. http://www.worldcat.org/oclc/852655224.
Kidwell, Claudia Brush, and Margaret C. S. Christman. Suiting Everyone: The Democratization of Clothing in America. Smithsonian Institution Press Publication No. 5176. Washington: Smithsonian Institution Press, 1974. http://www.worldcat.org/oclc/150630668.
Maclochlainn, Jason. The Victorian Tailor: An Introduction to Period Tailoring. New York: St. Martin’s Griffin, 2011. http://www.worldcat.org/oclc/963840258.
McDowell, Colin. The Man of Fashion: Peacock Males and Perfect Gentlemen. New York: Thames and Hudson, 1997. http://www.worldcat.org/oclc/757664431.
Moers, Ellen. The Dandy, Brummell to Beerbohm. New York: Viking Press, 1960. http://www.worldcat.org/oclc/1008219626.
Robinson, Fred Miller. The Man in the Bowler Hat: His History and Iconography. Chapel Hill: University of North Carolina Press, 1993. http://www.worldcat.org/oclc/942774555.
Sennett, Richard. The Fall of Public Man. New York: W.W. Norton, 1996. http://www.worldcat.org/oclc/916074426.
Steele, Valerie. “The Black Prince of Elegance.” In Paris Fashion: A Cultural History, 77–96. New York: Berg, 1998.
Takeda, Sharon Sadako, Kaye Durland Spilker, Clarissa M. Esguerra, Tim Blanks, and Peter McNeil. Reigning Men: Fashion in Menswear, 1715-2015. Los Angeles: Los Angeles County Museum of Art, 2016. http://www.worldcat.org/oclc/970652757.
Walden, George, and J. Barbey d’Aurevilly. Who Is a Dandy? London: Gibson Square, 2002. http://www.worldcat.org/oclc/52619935.
Walker, Richard. Savile Row: An Illustrated History. New York: Rizzoli, 1989. http://www.worldcat.org/oclc/263473505.
Waugh, Norah. The Cut of Men’s Clothes, 1600-1900. New York: Theatre Arts Books, 1964. http://www.worldcat.org/oclc/927414537.
Zakim, Michael. Ready-Made Democracy: A History of Men’s Dress in the American Republic, 1760-1860. Chicago: University of Chicago Press, 2005. http://www.worldcat.org/oclc/62885934.

Specialized Types of Dress

Arnold, Janet. “Dashing Amazons: The Development of Women’s Riding Dress, c. 1500-1900.” In Defining Dress : Dress as Object, Meaning, and Identity, edited by Amy De La Haye and Elizabeth Wilson, 10–29. New York: Manchester University Press, 2000. http://www.worldcat.org/oclc/606855810.
Bissonnette, Anne. Fashion on the Ohio Frontier, 1790-1840. Kent: Kent State University Museum, 2003. http://www.worldcat.org/oclc/54531345.
Brett, Mary. Fashionable Mourning Jewelry, Clothing & Customs. Atglen, PA: Schiffer Pub., 2006. http://www.worldcat.org/oclc/474408909.
Breward, Christopher. The Suit: Form, Function and Style. London: Reaktion Books, 2016. http://www.worldcat.org/oclc/953627465.
Buck, Anne. Clothes and the Child: A Handbook of Children’s Dress in England, 1500-1900. New York: Holmes & Meier Publishers, 1996. http://www.worldcat.org/oclc/186483515.
Coleman, Elizabeth Ann. Of Men Only: A Review of Men’s and Boy’s Fashions, 1750-1975, the Brooklyn Museum. Brooklyn: The Museum, 1975. http://www.worldcat.org/oclc/2214540.
Cunningham, Patricia A. Reforming Women’s Fashion, 1850-1920: Politics, Health, and Art. Kent: Kent State University Press, 2003. http://www.worldcat.org/oclc/904811070.
Cunnington, Phillis. Costume of Household Servants, from the Middle Ages to 1900. London: A and C Black, 1974. http://www.worldcat.org/oclc/1369922.
Cunnington, Phillis Emily, and A. D. Mansfield. English Costume for Sports and Outdoor Recreation: From the Sixteenth to the Nineteenth Centuries. New York: Barnes & Noble, 1970. http://www.worldcat.org/oclc/123134072.
Cunnington, Phillis, Catherine Lucas, and A. D. Mansfield. Occupational Costume in England from the Eleventh Century to 1914. London: Black, 1976. http://www.worldcat.org/oclc/603565839.
David, Alison Matthews. “Elegant Amazons: Victorian Riding Habits and the Fashionable Horsewoman.” Victorian Literature and Culture, 2002, 179–210. http://www.jstor.org/stable/25058581.
De Marly, Diana. Costume on the Stage, 1600-1940. Totowa, N.J: Barnes and Noble, 1982. http://www.worldcat.org/oclc/473607796.
De Marly, Diana. Working Dress: A History of Occupational Clothing. London: B.T. Batsford, 1986. http://www.worldcat.org/oclc/228660856.
Earnshaw, Pat. Lace in Fashion: From the Sixteenth to the Twentieth Centuries. 2nd ed. Guildford: Gorse, 1991. http://www.worldcat.org/oclc/24749135.
Ehrenpreis, D. “Cyclists and Amazons: The New Woman in Wilhelmine Germany.” Woman’s Art Journal 20, no. 1 (1999): 25.
Finamore, Michelle Tolini. “Beetle Abominations” and Birds on Bonnets Zoological Fantasy in Late-Nineteenth-Century Dress, 2002. http://www.worldcat.org/oclc/888862856.
Ginsburg, Madeleine, ed. Wedding Dress: 1740-1970. London: H.M.S.O, 1981. http://www.worldcat.org/oclc/977156500.
Hiner, Susan. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. Philadelphia: University of Pennsylvania Press, 2010. http://www.worldcat.org/oclc/491903689.
Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge: Cambridge University Press, 1995. http://www.worldcat.org/oclc/1008009561.
Lansdell, Avril. Wedding Fashions 1860-1980. 2nd ed. History in Camera. Aylesbury: Shire, 1986. http://www.worldcat.org/oclc/47187540.
Lansdell, Avril. Seaside Fashions 1860-1939: A Study of Clothes Worn in or beside the Sea. History in Camera, no. 10. Princes Risborough: Shire, 1990. http://www.worldcat.org/oclc/471920073.
Lansdell, Avril. Occupational Costume and Working Clothes, 1776-1976. Reprinted [with additions]. Shire Album 27. Princes Risborough: Shire, 1990. http://www.worldcat.org/oclc/691080030.
Majer, Michele, Lenard R. Berlanstein, Marlis Schweitzer, and Sheila Stowell, eds. Staging Fashion, 1880-1920: Jane Hading, Lily Elsie, Billie Burke. New York: Bard Graduate Center, 2012. http://www.worldcat.org/oclc/777951295.
Marshall, Noreen. Dictionary of Children’s Clothes: 1700s to Present. London: V&A Publishing, 2008. http://www.worldcat.org/oclc/314376664.
Matthews David, Alison. Fashion Victims: The Dangers of Dress Past and Present. London: Bloomsbury Visual Arts, 2015. http://www.worldcat.org/oclc/961008124.
McClendon, Emma, ed. Denim: Fashion’s Frontier. New Haven: Yale University Press, 2016. http://www.worldcat.org/oclc/930798077.
Newton, Stella Mary. Health, Art and Reason: Dress Reformers of the 19th Century. London: J. Murray, 1974. http://www.worldcat.org/oclc/729155954.
Olian, JoAnne, ed. Children’s Fashions, 1860-1912: 1,065 Costume Designs from “La Mode Illustrée.” New York: Dover Publications, 1994. http://www.worldcat.org/oclc/1006436030.
Olian, JoAnne, ed. Wedding Fashions, 1862-1912: 380 Costume Designs from “La Mode Illustrée.” New York: Dover Publications, 1994. http://www.worldcat.org/oclc/660054766.
Rose, Clare. Children’s Clothes since 1750. New York : London: Drama Book Publishers ; B.T. Batsford, 1989. http://www.worldcat.org/oclc/775617262.
Saint-Laurent, Cécil. The Great Book of Lingerie. New York: Vendome Press, 1986. http://www.worldcat.org/oclc/959001462.
Schreier, Barbara A. Becoming American Women: Clothing and the Jewish Immigrant Experience, 1880-1920. Chicago: Chicago Historical Society, 1994. http://www.worldcat.org/oclc/29255564.
Staniland, Kay, and Santina M. Levey. “Queen Victoria’s Wedding Dress and Lace.” Costume 17, no. 1 (January 1, 1983): 1–32. https://doi.org/10.1179/cos.1983.17.1.1.
Stern, Radu. Against Fashion: Clothing as Art, 1850-1930. Cambridge: MIT Press, 2004. http://www.worldcat.org/oclc/316433514.
Stevenson, Sara, and Helen Bennett. Van Dyck in Check Trousers: Fancy Dress in Art and Life 1700-1900. Edinburgh: Scottish National Portrait Gallery, 1978. http://www.worldcat.org/oclc/964262820.
Taylor, Lou. Mourning Dress: A Costume and Social History. London: G. Allen and Unwin, 1983. http://www.worldcat.org/oclc/983973288.
Worrell, Estelle Ansley. Children’s Costume in America, 1607-1910. New York: Scribner, 1980. http://www.worldcat.org/oclc/645797533.
Zimmerman, Catherine S. The Bride’s Book: A Pictorial History of American Bridal Dress. New York: Arbor House, 1985. http://www.worldcat.org/oclc/11755768.
Weddings: Wedding Costume, 1735-1970. Picture Book - Gallery of English Costume ; No. 10. Manchester: The Gallery for the City of Manchester Cultural Committee, 1977. http://www.worldcat.org/oclc/906280128.
The Way We Wore: Fashion Illustrations of Children’s Wear, 1870-1970. New York: Scribner, 1978. http://www.worldcat.org/oclc/4003946.

Surveys & General Overviews

Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Baines, Barbara Burman. Fashion Revivals: From the Elizabethan Age to the Present Day. London: Batsford, 1981. http://www.worldcat.org/oclc/906403714.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Breward, Christopher. Fashion. Oxford History of Art. Oxford: Oxford University Press, 2003. http://www.worldcat.org/oclc/941327116.
Breward, Christopher. The Culture of Fashion: A New History of Fashionable Dress. Manchester: Manchester University Press, 1995. http://www.worldcat.org/oclc/945218701.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Buck, Anne. Clothes and the Child: A Handbook of Children’s Dress in England, 1500-1900. New York: Holmes & Meier Publishers, 1996. http://www.worldcat.org/oclc/186483515.
Byrde, Penelope. The Male Image: Men’s Fashion in Britain, 1300-1970. London: B. T. Batsford, 1979. http://www.worldcat.org/oclc/891905981.
Chenoune, Farid. A History of Men’s Fashion. Paris: Flammarion, 1993. http://www.worldcat.org/oclc/29230629.
Cole, Daniel James, and Nancy Deihl. The History of Modern Fashion from 1850. London: Laurence King Publishing, 2015. http://www.worldcat.org/oclc/900012311.
Cunnington, C. Willett. English Women’s Clothing in the Nineteenth Century: A Comprehensive Guide with 1,117 Illustrations. New York: Dover Publications, 1990. http://www.worldcat.org/oclc/868281120.
Cunnington, Phillis. Costume of Household Servants, from the Middle Ages to 1900. London: A and C Black, 1974. http://www.worldcat.org/oclc/1369922.
De Marly, Diana. Dress in North America. New York: Holmes & Meier, 1990. http://www.worldcat.org/oclc/499150429.
De Young, Justine. “Visual Representations of Fashion and Dress, 1800-1920.” In A Cultural History of Dress and Fashion: The Age of Empire (1800-1920), edited by Susan J. Vincent and Denise Amy Baxter, 165–88. London: Bloomsbury Academic, 2017.
Delbourg-Delphis, Marylène. Le Chic et Le Look : Histoire de La Mode Féminine et Des Mœurs, de 1850 à Nos Jours. Paris: Hachette, 1981. http://www.worldcat.org/oclc/489922836.
Earnshaw, Pat. Lace in Fashion: From the Sixteenth to the Twentieth Centuries. 2nd ed. Guildford: Gorse, 1991. http://www.worldcat.org/oclc/24749135.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Hollander, Anne. Fabric of Vision: Dress and Drapery in Painting. London: National Gallery, 2002. http://www.worldcat.org/oclc/930256016.
Laver, James. Dress; How and Why Fashions in Men’s and Women’s Clothes Have Changed during the Past Two Hundred Years. London: John Murray, 1950. http://www.worldcat.org/oclc/317082760.
Laver, James. Taste and Fashion, from the French Revolution to the Present Day. Rev. London: G. Harrap, 1945. http://www.worldcat.org/oclc/936199922.
Matthews David, Alison. Fashion Victims: The Dangers of Dress Past and Present. London: Bloomsbury Visual Arts, 2015. http://www.worldcat.org/oclc/961008124.
McDowell, Colin. The Anatomy of Fashion: Why We Dress the Way We Do. London: Phaidon Press Limited, 2013. http://www.worldcat.org/oclc/859193323.
Milbank, Caroline Rennolds, and Harold Koda. Fashion: A Timeline in Photographs: 1850 to Today. New York: Rizzoli International Publications, Inc, 2015. http://www.worldcat.org/oclc/905518225.
Perrot, Philippe. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton: Princeton University Press, 1994. http://www.worldcat.org/oclc/36749964.
Piazza, Arianna, ed. Fashion 150: 150 Years, 150 Designers. London: Laurence King Publishing, 2016. http://www.worldcat.org/oclc/961459695.
Racinet, A. The Complete Costume History: From Ancient Times to the 19th Century. Cologne: Taschen, 2006. http://www.worldcat.org/oclc/931328958.
Rose, Clare. Children’s Clothes since 1750. New York : London: Drama Book Publishers ; B.T. Batsford, 1989. http://www.worldcat.org/oclc/775617262.
Rosenblum, Naomi. A World History of Photography. 4th ed. New York: Abbeville Press Publishers, 2007. http://www.worldcat.org/oclc/495414249.
Stevenson, N. J. Fashion: A Visual History from Regency & Romance to Retro & Revolution: A Complete Illustrated Chronology of Fashion from the 1800s to the Present Day. New York: St. Martin’s Griffin, 2012. http://www.worldcat.org/oclc/962161267.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Tortora, Phyllis G., and Sara B. Marcketti. Survey of Historic Costume. Sixth edition. New York: Fairchild Books, 2015. http://www.worldcat.org/oclc/972500782.
Uzanne, Octave, Mary Sophia Loyd, and François Courboin. Fashion in Paris: The Various Phases of Feminine Taste and Aesthetics from 1797 to 1897. New York: C. Scribner’s Sons, 1898. http://www.worldcat.org/oclc/23922831.
Vincent, Susan J., and Denise Amy Baxter, eds. A Cultural History of Dress and Fashion: The Age of Empire (1800-1920). London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/967107605.
Wilson, Elizabeth, and Lou Taylor. Through the Looking Glass : A History of Dress from 1860 to the Present Day. London: BBC Books, 1989. Input this URL in a browser to get GIF cover art data. http://firstsearch.oclc.org/WebZ/DCARead?standardNoType=1&standardNo=0563214414:srcdbname=WorldCat:fromExternal=true&sessionid=0.
Worrell, Estelle Ansley. Children’s Costume in America, 1607-1910. New York: Scribner, 1980. http://www.worldcat.org/oclc/645797533.

Underwear

Cox, Caroline. Lingerie: A Lexicon of Style. New York: St. Martin’s Press, 2000. http://www.worldcat.org/oclc/924951694.
Fontanel, Béatrice. Support and Seduction: The History of Corsets and Bras. New York: Abradale Press, 2001. http://www.worldcat.org/oclc/916118365.
Lynn, Eleri, Richard Davis, and Leonie Davis. Underwear: Fashion in Detail. London: V&A, 2010. http://www.worldcat.org/oclc/898658061.
McDowell, Colin. The Anatomy of Fashion: Why We Dress the Way We Do. London: Phaidon Press Limited, 2013. http://www.worldcat.org/oclc/859193323.
Page, Christopher. Foundations of Fashion: The Symington Collection: Corsetry from 1856 to the Present Day. Leicestershire Museums Publication, no. 25. Leicester: Leicestershire Museums, 1981. http://www.worldcat.org/oclc/670365360.
Shep, R. L. Corsets: A Visual History. Mendocino: The Author, 1993. http://www.worldcat.org/oclc/924722273.
Steele, Valerie. The Corset: A Cultural History. New Haven: Yale University Press, 2001. http://www.worldcat.org/oclc/694642160.
Summers, Leigh. Bound to Please: A History of the Victorian Corset. Dress, Body, Culture. Oxford: Berg, 2001. http://www.worldcat.org/oclc/255084871.
Warren, Philip. Foundations of Fashion. Leicester: Leicestershire County Council, 2001. http://www.worldcat.org/oclc/906983584.
Waugh, Norah. Corsets and Crinolines. New York: Routledge/Theatre Arts Books, 2000. http://www.worldcat.org/oclc/969973332.

By Decade

Also see individual decade overviews above for more resources... or browse our Zotero Library.

1800-1809

Arnold, Janet. Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction, 1660-1860. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/50099006.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Barreto, Cristina, and Martin Lancaster. Napoleon and the Empire of Fashion: 1795-1815. Milano: Skira, 2010. http://www.worldcat.org/oclc/707608152.
Bissonnette, Anne. Fashion on the Ohio Frontier, 1790-1840. Kent: Kent State University Museum, 2003. http://www.worldcat.org/oclc/54531345.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Brunereau, Jeanne. Presse Féminine et Critique Littéraire de 1800 à 1830 : Leurs Rapports Avec l’histoire de Femmes. France: EVE et son espace créatif, 2000. http://www.worldcat.org/oclc/421260582.
Cage, E. Claire. “The Sartorial Self: Neoclassical Fashion and Gender Identity in France, 1797–1804.” Eighteenth Century Studies 42, no. 2 (2009): 193–215.
Costume, Society. The So-Called Age of Elegance: Costume 1785-1820, Proceedings of the Fourth Annual Conference of the Costume Society, 1970. London: The Costume Society, 1971. http://www.worldcat.org/oclc/620540887.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
DeLorme, Eleanor P., and Bernard Chevallier, eds. Joséphine and the Arts of the Empire. Los Angeles: J.P. Getty Museum, 2005. http://www.worldcat.org/oclc/845841070.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Font, Lourdes M., and Elizabeth McMahon. “LeRoy, Louis Hippolyte.” In Grove Art Online. Oxford Art Online. Oxford University Press. Accessed July 18, 2017. http://www.oxfordartonline.com/subscriber/article/grove/art/T2081334.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Jensen, Heather Belnap. “Marketing the Maternal Body in the Public Spaces of Post-Revolutionary Paris.” In Women, Femininity, and Public Space in European Visual Culture, 1789–1914, edited by Heather Belnap Jensen and Temma Balducci, 17–33. Burlington: Ashgate, 2014. http://www.worldcat.org/oclc/991406564.
Jensen, Heather Belnap. “The Journal Des Dames et Des Modes: Fashioning Women in the Arts, c. 1800–1815.” Nineteenth-Century Art Worldwide 5, no. 1 (March 2006).
Joannis, Claudette, ed. Joséphine, Imperatrice de La Mode: L’élégance Sous l’Empire. Paris: Réunion des musées nationaux, 2007. http://www.worldcat.org/oclc/1008328253.
Kleinert, Annemarie. Le “Journal Des Dames et Des Modes” : Ou La Conquête de l’Europe Féminin (1797-1839). Beihefte Zu Francia, Bd. 46. Stuttgart: J. Thorbecke, 2001. http://users.physik.fu-berlin.de/~kleinert/kleinerta/kleinertab5/.
Meunier, Céline. Dans les armoires de l’impératrice Joséphine: la collection de costumes féminins du château de Malmaison. Paris: Art Lys, 2016. http://www.worldcat.org/oclc/973422293.
Queen, James, and William Lapsley. The Taylors’ Instructor, or, A Comprehensive Analysis, of the Elements of Cutting Garments, of Every Kind ... Illustrated with Eight Appropriate Engravings. Philadelphia, Printed for, and sold by, the authors, 1809. http://archive.org/details/taylorsinstructo00quee.
Ribeiro, Aileen. The Art of Dress: Fashion in England and France 1750 to 1820. New Haven: Yale University Press, 1995. http://www.worldcat.org/oclc/450347616.
Siegfried, Susan. “The Visual Culture of Fashion and the Classical Ideal in Post-Revolutionary France.” The Art Bulletin 97, no. 1 (March 2015): 77–99.
Siegfried, Susan. “Fashion and the Reinvention of Court Costume in Portrayals of Josephine de Beauharnais (1794–1809).” Apparence(s), May 2015.
Solomon, Carol. The Empress Josephine: Art & Royal Identity. Amherst: Mead Art Museum, 2005. http://www.worldcat.org/oclc/680423646.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Tortora, Phyllis G., and Sara B. Marcketti. Survey of Historic Costume. Sixth edition. New York: Fairchild Books, 2015. http://www.worldcat.org/oclc/972500782.
Vincent, Susan J., and Denise Amy Baxter, eds. A Cultural History of Dress and Fashion: The Age of Empire (1800-1920). London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/967107605.
Zieseniss, Charles Otto, and Katell Le Bourhis, eds. The Age of Napoleon: Costume from Revolution to Empire, 1789-1815. New York: Metropolitan Museum of Art, 1989. http://www.worldcat.org/oclc/906541694.

1810-1819
Adburgham, Alison. Silver Fork Society: Fashionable Life and Literature from 1814-1840. London: Constable, 1983. http://www.worldcat.org/oclc/11397775.
Arnold, Janet. Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction, 1660-1860. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/50099006.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Barreto, Cristina, and Martin Lancaster. Napoleon and the Empire of Fashion: 1795-1815. Milano: Skira, 2010. http://www.worldcat.org/oclc/707608152.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Brunereau, Jeanne. Presse Féminine et Critique Littéraire de 1800 à 1830 : Leurs Rapports Avec l’histoire de Femmes. France: EVE et son espace créatif, 2000. http://www.worldcat.org/oclc/421260582.
Costume, Society. The So-Called Age of Elegance: Costume 1785-1820, Proceedings of the Fourth Annual Conference of the Costume Society, 1970. London: The Costume Society, 1971. http://www.worldcat.org/oclc/620540887.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Font, Lourdes M., and Elizabeth McMahon. “LeRoy, Louis Hippolyte.” In Grove Art Online. Oxford Art Online. Oxford University Press. Accessed July 18, 2017. http://www.oxfordartonline.com/subscriber/article/grove/art/T2081334.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Jensen, Heather Belnap. “The Journal Des Dames et Des Modes: Fashioning Women in the Arts, c. 1800–1815.” Nineteenth-Century Art Worldwide 5, no. 1 (March 2006).
Kleinert, Annemarie. Le “Journal Des Dames et Des Modes” : Ou La Conquête de l’Europe Féminin (1797-1839). Beihefte Zu Francia, Bd. 46. Stuttgart: J. Thorbecke, 2001. http://users.physik.fu-berlin.de/~kleinert/kleinerta/kleinertab5/.
Meunier, Céline. Dans les armoires de l’impératrice Joséphine: la collection de costumes féminins du château de Malmaison. Paris: Art Lys, 2016. http://www.worldcat.org/oclc/973422293.
Ribeiro, Aileen. The Art of Dress: Fashion in England and France 1750 to 1820. New Haven: Yale University Press, 1995. http://www.worldcat.org/oclc/450347616.
Siegfried, Susan. “The Visual Culture of Fashion and the Classical Ideal in Post-Revolutionary France.” The Art Bulletin 97, no. 1 (March 2015): 77–99.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Tétart-Vittu, Françoise. “La Couture Avant La Haute Couture.” In Au Paradis Des Dames : Nouveautés, Modes et Confections, 1810-1870, 40–45. Paris: Éditions Paris-Musées, 1992.
Tortora, Phyllis G., and Sara B. Marcketti. Survey of Historic Costume. Sixth edition. New York: Fairchild Books, 2015. http://www.worldcat.org/oclc/972500782.
Vincent, Susan J., and Denise Amy Baxter, eds. A Cultural History of Dress and Fashion: The Age of Empire (1800-1920). London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/967107605.
1820-1829

Adburgham, Alison. Silver Fork Society: Fashionable Life and Literature from 1814-1840. London: Constable, 1983. http://www.worldcat.org/oclc/11397775.
Arnold, Janet. Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction, 1660-1860. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/50099006.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Bassett, Lynne Z., ed. Gothic to Goth: Romantic Era Fashion & Its Legacy. Hartford: Wadsworth Atheneum Museum of Art, 2016. http://www.worldcat.org/oclc/965783261.
Bissonnette, Anne. Fashion on the Ohio Frontier, 1790-1840. Kent: Kent State University Museum, 2003. http://www.worldcat.org/oclc/54531345.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Brunereau, Jeanne. Presse Féminine et Critique Littéraire de 1800 à 1830 : Leurs Rapports Avec l’histoire de Femmes. France: EVE et son espace créatif, 2000. http://www.worldcat.org/oclc/421260582.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Jones, Amanda. Rules and Directions for Cutting Men’s Clothes, by the Square Rule : By Which, in a Few Hours, a Person May Acquire Such a Knowledge of the Art, as Will Enable Him to Cut All Sizes and Fashions, with the Greatest Accuracy. Middlebury [Vt.] : published by Amanda Jones, 1822. http://archive.org/details/rulesdirectionsf00jone.
Kleinert, Annemarie. Le “Journal Des Dames et Des Modes” : Ou La Conquête de l’Europe Féminin (1797-1839). Beihefte Zu Francia, Bd. 46. Stuttgart: J. Thorbecke, 2001. http://users.physik.fu-berlin.de/~kleinert/kleinerta/kleinertab5/.
Ribeiro, Aileen. Ingres in Fashion: Representations of Dress and Appearance in Ingres’s Images of Women. New Haven: Yale University Press, 1999. http://www.worldcat.org/oclc/469680932.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Tarrant, Naomi E. A., ed. The Rise and Fall of the Sleeve, 1825-1840: A Catalogue of the Costume and Accessories in the Charles Stewart and Royal Scottish Museum Collections. Edinburgh: The Museum, 1983. http://www.worldcat.org/oclc/1008078015.
Tétart-Vittu, Françoise. “La Couture Avant La Haute Couture.” In Au Paradis Des Dames : Nouveautés, Modes et Confections, 1810-1870, 40–45. Paris: Éditions Paris-Musées, 1992.
Tortora, Phyllis G., and Sara B. Marcketti. Survey of Historic Costume. Sixth edition. New York: Fairchild Books, 2015. http://www.worldcat.org/oclc/972500782.
Vincent, Susan J., and Denise Amy Baxter, eds. A Cultural History of Dress and Fashion: The Age of Empire (1800-1920). London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/967107605.
Wilson, James G. Report of the Present Fashions, with the Square Rules and Variations to Fit the Human Shape. New-York, 1827. http://archive.org/details/reportofpresentf00wils.

1830-1839

Adburgham, Alison. Silver Fork Society: Fashionable Life and Literature from 1814-1840. London: Constable, 1983. http://www.worldcat.org/oclc/11397775.
Arnold, Janet. Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction, 1660-1860. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/50099006.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Bassett, Lynne Z., ed. Gothic to Goth: Romantic Era Fashion & Its Legacy. Hartford: Wadsworth Atheneum Museum of Art, 2016. http://www.worldcat.org/oclc/965783261.
Bissonnette, Anne. Fashion on the Ohio Frontier, 1790-1840. Kent: Kent State University Museum, 2003. http://www.worldcat.org/oclc/54531345.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Costume, Society. Early Victorian Costume 1830-1860; Proceedings of the Third Annual Conference of the Costume Society, 1969. London: Victoria and Albert Museum, 1969. http://www.worldcat.org/oclc/976708381.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Greimas, Algirdas Julien, Michel Arrivé, Thomas F Broden, and Françoise Ravaux-Kirkpatrick. La mode en 1830: langage et société : écrits de jeunesse. Paris: Presses universitaires de France, 2000. http://www.worldcat.org/oclc/868656532.
Hahn, Hazel. “Fashion Discourses in Fashion Magazines and Madame de Girardin’s Lettres Parisiennes in July-Monarchy France (1830-48).” Fashion Theory 9, no. 2 (June 2005): 205–28. http://dx.doi.org/10.2752/136270405778051392.
Hahn, H. Hazel. “Fashion Discourses in Fashion Magazines and Delphine de Girardin’s Lettres Parisiennes.” In Scenes of Parisian Modernity: Culture and Consumption in the Nineteenth Century, 63–80. New York: Palgrave Macmillan, 2009. http://www.worldcat.org/oclc/456837270.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Jackson, John. The Tailors’ Director, Containing an Important Discovery for Fitting the Human Shape. New York, Printed for the proprietor, 1833. http://archive.org/details/tailorsdirectorc00jack.
Kleinert, Annemarie. Le “Journal Des Dames et Des Modes” : Ou La Conquête de l’Europe Féminin (1797-1839). Beihefte Zu Francia, Bd. 46. Stuttgart: J. Thorbecke, 2001. http://users.physik.fu-berlin.de/~kleinert/kleinerta/kleinertab5/.
Ribeiro, Aileen. Ingres in Fashion: Representations of Dress and Appearance in Ingres’s Images of Women. New Haven: Yale University Press, 1999. http://www.worldcat.org/oclc/469680932.
Siegfried, Susan. “Portraits of Fantasy, Portraits of Fashion.” Nonsite 14, no. Nineteenth Century France Now: Art Technology Culture (December 2014). http://nonsite.org/article/portraits-of-fantasy-portraits-of-fashion.
Siegfried, Susan. “Vernet’s Ladies.” In Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture, edited by Daniel Harkett and Katie Hornstein. Hanover: Dartmouth College Press, 2017. http://www.worldcat.org/oclc/986541746.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Tarrant, Naomi E. A., ed. The Rise and Fall of the Sleeve, 1825-1840: A Catalogue of the Costume and Accessories in the Charles Stewart and Royal Scottish Museum Collections. Edinburgh: The Museum, 1983. http://www.worldcat.org/oclc/1008078015.
Tétart-Vittu, Françoise. “La Couture Avant La Haute Couture.” In Au Paradis Des Dames : Nouveautés, Modes et Confections, 1810-1870, 40–45. Paris: Éditions Paris-Musées, 1992.
Tortora, Phyllis G., and Sara B. Marcketti. Survey of Historic Costume. Sixth edition. New York: Fairchild Books, 2015. http://www.worldcat.org/oclc/972500782.
Vincent, Susan J., and Denise Amy Baxter, eds. A Cultural History of Dress and Fashion: The Age of Empire (1800-1920). London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/967107605.
Evolution of Fashion 1835-1895 =: Rōman Ishō Ten: Clothing That Captured the Imagination of Japan, the Impact of Romantic Clothing. Kyoto: Kyoto Costume Institute, 1980. http://www.worldcat.org/oclc/475808610.

1840-1849

Acton, William R. [from old catalog. The Tailors’ Transfer; or, A New and Improved System of Measurement and Garment Cutting. Baltimore, Printed by J. Young, 1846. http://archive.org/details/tailorstransfero00acto.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Bassett, Lynne Z., ed. Gothic to Goth: Romantic Era Fashion & Its Legacy. Hartford: Wadsworth Atheneum Museum of Art, 2016. http://www.worldcat.org/oclc/965783261.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Costume, Society. Early Victorian Costume 1830-1860; Proceedings of the Third Annual Conference of the Costume Society, 1969. London: Victoria and Albert Museum, 1969. http://www.worldcat.org/oclc/976708381.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
Depierris, Victor B. V.B. Depierris & Co.’s French Rule of Proportions: Being Adapted to All the Variety of Forms and Fashions, without the Trouble of Applying Any Measuring Apparatus, or Taking but One Simple Extra Measure. [New York?, 1841. http://archive.org/details/vbdepierriscosfr00depi.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Gutzkow, Karl. “Fashion and the Modern (1846).” In The Rise of Fashion: A Reader, edited by Daniel L. Purdy, translated by Kelly Barry, 196–205. Minneapolis: University of Minnesota Press, 2004. http://www.worldcat.org/oclc/470134643.
Hahn, Hazel. “Fashion Discourses in Fashion Magazines and Madame de Girardin’s Lettres Parisiennes in July-Monarchy France (1830-48).” Fashion Theory 9, no. 2 (June 2005): 205–28. http://dx.doi.org/10.2752/136270405778051392.
Hahn, H. Hazel. “Fashion Discourses in Fashion Magazines and Delphine de Girardin’s Lettres Parisiennes.” In Scenes of Parisian Modernity: Culture and Consumption in the Nineteenth Century, 63–80. New York: Palgrave Macmillan, 2009. http://www.worldcat.org/oclc/456837270.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Olian, JoAnne, ed. 80 Godey’s Full-Color Fashion Plates, 1838-1880. Mineola, N.Y: Dover Publications, 1998. http://www.worldcat.org/oclc/868271404.
Ribeiro, Aileen. Ingres in Fashion: Representations of Dress and Appearance in Ingres’s Images of Women. New Haven: Yale University Press, 1999. http://www.worldcat.org/oclc/469680932.
Scott & Wilson (New York, N. Y. ). A Treatise on Cutting Garments to Fit the Human Form: Containing Fifty Diagrams and Designs Reduced to Mathematical Principles. New York, 1841. http://archive.org/details/treatiseoncuttin00scot.
Scott & Wilson (New York, N.Y.). A Treatise on Cutting Garments to Fit the Human Form: Containing Fifty Diagrams and Designs Reduced to Mathematical Principles. New York, 1841. https://catalog.hathitrust.org/Record/009568030.
Severa, Joan L. Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900. Kent: Kent State University Press, 1995. http://www.worldcat.org/oclc/552147475.
Staniland, Kay, and Santina M. Levey. “Queen Victoria’s Wedding Dress and Lace.” Costume 17, no. 1 (January 1, 1983): 1–32. https://doi.org/10.1179/cos.1983.17.1.1.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Tarrant, Naomi E. A., ed. The Rise and Fall of the Sleeve, 1825-1840: A Catalogue of the Costume and Accessories in the Charles Stewart and Royal Scottish Museum Collections. Edinburgh: The Museum, 1983. http://www.worldcat.org/oclc/1008078015.
Tétart-Vittu, Françoise. “La Couture Avant La Haute Couture.” In Au Paradis Des Dames : Nouveautés, Modes et Confections, 1810-1870, 40–45. Paris: Éditions Paris-Musées, 1992.
Tortora, Phyllis G., and Sara B. Marcketti. Survey of Historic Costume. Sixth edition. New York: Fairchild Books, 2015. http://www.worldcat.org/oclc/972500782.
Vincent, Susan J., and Denise Amy Baxter, eds. A Cultural History of Dress and Fashion: The Age of Empire (1800-1920). London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/967107605.
Young, B. [from old catalog, and Simon Snyder Rathvon. The Archetypal Consummation: A System of Garment Drafting, Founded upon Practical Experience. Columbia, Pa. [Printed by J. L. Gossler, & co.], 1845. http://archive.org/details/archetypalconsum00youn.
Evolution of Fashion 1835-1895 =: Rōman Ishō Ten: Clothing That Captured the Imagination of Japan, the Impact of Romantic Clothing. Kyoto: Kyoto Costume Institute, 1980. http://www.worldcat.org/oclc/475808610.

1850-1859

Acton, William R. Acton’s Improvements on The Tailor’s Transfer; Philadelphia, King & Baird, printers, 1862. http://archive.org/details/actonsimprovemen00acto.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Beukel, Dorine van den. Fashion Design 1850-1895. New York: By Design Press, 1997. http://www.worldcat.org/oclc/743141113.
Boucher, François. Paris, Miroir de La Mode: Crinolines et Calèches, 1855-1867. Paris: Éditions Rombaldi, 1959. http://www.worldcat.org/oclc/438804700.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Cole, Daniel James, and Nancy Deihl. The History of Modern Fashion from 1850. London: Laurence King Publishing, 2015. http://www.worldcat.org/oclc/900012311.
Costume, Society. Early Victorian Costume 1830-1860; Proceedings of the Third Annual Conference of the Costume Society, 1969. London: Victoria and Albert Museum, 1969. http://www.worldcat.org/oclc/976708381.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
Dilday, E. [from old catalog. E. Dilday’s Plain and Concise Method of Garment Cutting: St. Louis, Mo., Keith, Woods & co., printers, 1856. http://archive.org/details/edildaysplaincon00dild.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Geer, Salomon [from old catalog. Der zuschneider wie er sein soll, oder, Gründliche anweisung zum selbst-unterricht im zuschneiden. New-York, M.W. Siebert, 1854. http://archive.org/details/derzuschneiderwi00geer.
Goldthorpe, Caroline. From Queen to Empress: Victorian Dress 1857-1877. New York: Metropolitan Museum of Art, 1988. http://www.worldcat.org/oclc/464219264.
Greve, J. C. D. [from old catalog. Art du tailleur. Cincinnati, J. C. D. Greve, 1855. http://archive.org/details/artdutailleur00grev.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Hunter, A. J. [from old catalog. The Garment Cutter and Ladies Guide. Glasgow, Ky., J. Noble, printer, 1853. http://archive.org/details/garmentcutterlad00hunt.
McCauley, Elizabeth Anne. “The Carte de Visite and Portrait Painting during the Second Empire.” In A.A.E. Disdéri and the Carte de Visite Portrait Photograph, 137–203. New Haven: Yale University Press, 1985. http://www.worldcat.org/oclc/755288192.
Nead, Lynda. “The Layering of Pleasure: Women, Fashionable Dress and Visual Culture in the Mid-Nineteenth Century.” Nineteenth-Century Contexts 35, no. 5 (2013): 489–509.
Olian, JoAnne, ed. 80 Godey’s Full-Color Fashion Plates, 1838-1880. Mineola, N.Y: Dover Publications, 1998. http://www.worldcat.org/oclc/868271404.
Piazza, Arianna, ed. Fashion 150: 150 Years, 150 Designers. London: Laurence King Publishing, 2016. http://www.worldcat.org/oclc/961459695.
Ribeiro, Aileen. Ingres in Fashion: Representations of Dress and Appearance in Ingres’s Images of Women. New Haven: Yale University Press, 1999. http://www.worldcat.org/oclc/469680932.
Schweinhart, William [from old catalog. The Young Crook’s Guide; Gettysburg [Pa.] Printed by H. C. Neinstedt, 1851. http://archive.org/details/youngcrooksguide00schw.
Severa, Joan L. Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900. Kent: Kent State University Press, 1995. http://www.worldcat.org/oclc/552147475.
Solomon-Godeau, Abigail. “The Legs of the Countess.” October 39 (Winter 1986): 65–108.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Tétart-Vittu, Françoise. “La Couture Avant La Haute Couture.” In Au Paradis Des Dames : Nouveautés, Modes et Confections, 1810-1870, 40–45. Paris: Éditions Paris-Musées, 1992.
Tetart-Vittu, Françoise. Sous l’empire Des Crinolines. Paris: Paris musées, 2008. http://www.worldcat.org/oclc/1008171995.
Tortora, Phyllis G., and Sara B. Marcketti. Survey of Historic Costume. Sixth edition. New York: Fairchild Books, 2015. http://www.worldcat.org/oclc/972500782.
Vincent, Susan J., and Denise Amy Baxter, eds. A Cultural History of Dress and Fashion: The Age of Empire (1800-1920). London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/967107605.
Evolution of Fashion 1835-1895 =: Rōman Ishō Ten: Clothing That Captured the Imagination of Japan, the Impact of Romantic Clothing. Kyoto: Kyoto Costume Institute, 1980. http://www.worldcat.org/oclc/475808610.

1860-1869

Acton, William R. Acton’s Improved System of Actual Measurement. [New York, De Vries & Wood, printers], 1867. http://archive.org/details/actonsimprovedsy00acto.
Arnold, Janet. Patterns of Fashion 2: Englishwomen’s Dresses & Their Construction, 1860-1940. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/223335455.
Ashelford, Jane, ed. A Visual History of Costume. London : Batsford ; New York: Drama Book Publishers, 1983.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Bailey, Colin B. Renoir, Impressionism, and Full-Length Painting. New York: Yale University Press, 2012. http://www.worldcat.org/oclc/786139582.
Beukel, Dorine van den. Fashion Design 1850-1895. New York: By Design Press, 1997. http://www.worldcat.org/oclc/743141113.
Boucher, François. Paris, Miroir de La Mode: Crinolines et Calèches, 1855-1867. Paris: Éditions Rombaldi, 1959. http://www.worldcat.org/oclc/438804700.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brockaway, W. [from old catalog. The Great Balance-Measure System, for Cutting Coats, Vests, Pants, Cloaks, and Shirts. New York, Baker & Godwin, printers, 1864. http://archive.org/details/greatbalancemeas01broc.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Brundage, William W. [from old catalog. A Complete System of Cutting. [New York, Printed by A. Marrer], 1867. http://archive.org/details/completesystemof00brun.
Cole, Luman E. [from old catalog. The Tailors’ Guide: Containing Systems of Draughting Frock and Sack Coats, Pants, Vests and Shirts, with Valuable Improvements, Warranted Superior to Anything Ever Offered to the Trade. Milwaukee, Stan & son, book and job printers, 1868. http://archive.org/details/tailorsguidecont00cole.
Cole, Daniel James, and Nancy Deihl. The History of Modern Fashion from 1850. London: Laurence King Publishing, 2015. http://www.worldcat.org/oclc/900012311.
Costume Society. High Victorian Costume, 1860-1890 Proceedings of the Second Annual Conference of the Costume Society, March 1968. London: Victoria & Albert Museum, 1969. http://www.worldcat.org/oclc/620413645.
De Young, Justine. “Representing the Modern Woman: The Fashion Plate Reconsidered (1865-1875).” In Women, Femininity and Public Space in European Visual Culture, 1789-1914, edited by Heather Belnap Jensen and Temma Balducci, 97–114. Burlington, VT: Ashgate, 2014. http://www.worldcat.org/oclc/876466633.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
De Young, Justine. “‘Housewife or Harlot’: Art, Fashion & Morality in the Paris Salon of 1868.” In Cultures of Femininity in Modern Fashion, edited by Ilya Parkins and Elizabeth M. Sheehan, 124–47. Durham, NH: University of New Hampshire Press, 2011. http://www.worldcat.org/oclc/823388661.
De Young, Justine. “Fashion and the Press.” In Impressionism, Fashion & Modernity, edited by Gloria Groom, 233–43. New Haven: Yale University Press, 2012. http://www.worldcat.org/oclc/843185621.
Dolan, Therese. “The Empress’s New Clothes: Fashion and Politics in Second Empire France.” Woman’s Art Journal, Spring 1994, 22–28. http://www.jstor.org/stable/1358491.
Dolan, Therese. “Skirting the Issue: Manet’s Portrait of Baudelaire’s Mistress, Reclining.” The Art Bulletin 79, no. 4 (December 1997). http://www.jstor.org/stable/3046278.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Garb, Tamar. Bodies of Modernity: Figure and Flesh in Fin-de-Siècle France. New York: Thames and Hudson, 1998. http://www.worldcat.org/oclc/39651988.
Glencross, William [from old catalog. Manual; New York, W. Glencross, 1866. http://archive.org/details/manual00glen.
Goldthorpe, Caroline. From Queen to Empress: Victorian Dress 1857-1877. New York: Metropolitan Museum of Art, 1988. http://www.worldcat.org/oclc/464219264.
Groom, Gloria Lynn, ed. Impressionism, Fashion & Modernity. Chicago: Art Institute of Chicago, 2012. http://www.worldcat.org/oclc/794814340.
Hambourg, Maria Morris. Nadar. New York: Metropolitan Museum of Art, 2013. http://www.worldcat.org/oclc/851034965.
Hansen, Dorothee. Monet und Camille: Frauenportraits im Impressionismus. Munich: Hirmer, 2005. http://www.worldcat.org/oclc/489638739.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Iskin, Ruth. Modern Women and Parisian Consumer Culture in Impressionist Painting. Cambridge: Cambridge University Press, 2007. http://www.worldcat.org/oclc/870650201.
Kinney, Leila W. “Fashion and Figuration in Modern Life Painting.” In Architecture in Fashion, edited by Deborah Fausch, 270–313. New York: Princeton Architectural Press, 1994. http://www.worldcat.org/oclc/660058424.
Lambert, Miles. Fashion in Photographs 1860-1880. London: Batsford, 1991. http://www.worldcat.org/oclc/300306371.
Lansdell, Avril. Fashion à La Carte, 1860-1900: A Study of Fashion through Cartes-de-Visite. History in Camera. Princes Risborough, Aylesbury, Bucks, UK: Shire Publications, 1985. http://www.worldcat.org/oclc/436041340.
Leisch, Juanita. Who Wore What?: Women’s Wear, 1861-1865. Gettysburg: Thomas Publications, 1995. http://www.worldcat.org/oclc/33070937.
MacDonald, Margaret F., Susan Grace Galassi, Aileen Ribeiro, and Samuel Sachs. Whistler, Women, & Fashion. New Haven: Yale University Press, 2003. http://www.worldcat.org/oclc/757386204.
Maeder, Edward, and Evelyn Ackerman, eds. Dressed for the Country, 1860-1900: Exhibition. Los Angeles: Los Angeles County Museum of Art, 1984. http://www.worldcat.org/oclc/562356615.
Matyjaszkiewicz, Krystyna. “Costume in Tissot’s Pictures.” In James Tissot, 64–77. Oxford: Phaidon, 1984. http://www.worldcat.org/oclc/630471252.
McCauley, Elizabeth Anne. “Photography, Fashion, and the Cult of Appearances.” In Impressionism, Fashion & Modernity, edited by Gloria Groom, 197–207. New Haven: Yale University Press, 2012. http://www.worldcat.org/oclc/843185621.
McCauley, Elizabeth Anne. “The Carte de Visite and Portrait Painting during the Second Empire.” In A.A.E. Disdéri and the Carte de Visite Portrait Photograph, 137–203. New Haven: Yale University Press, 1985. http://www.worldcat.org/oclc/755288192.
Nead, Lynda. “The Layering of Pleasure: Women, Fashionable Dress and Visual Culture in the Mid-Nineteenth Century.” Nineteenth-Century Contexts 35, no. 5 (2013): 489–509.
Olian, JoAnne, ed. 80 Godey’s Full-Color Fashion Plates, 1838-1880. Mineola, N.Y: Dover Publications, 1998. http://www.worldcat.org/oclc/868271404.
Phyliky, Leonard. The Tailor; New System of Drafting Direct from the Measurement Taken with a Tape Measure, without Any Instrument, for All the Various Forms of the Human Body. New York: T. Holman, 1867. https://catalog.hathitrust.org/Record/011213188.
Piazza, Arianna, ed. Fashion 150: 150 Years, 150 Designers. London: Laurence King Publishing, 2016. http://www.worldcat.org/oclc/961459695.
Ribeiro, Aileen. “The Art of Dress: Fashion in Renoir’s La Loge.” In Renoir at the Theatre: Looking at La Loge, edited by Ernst Vegelin van Claerbergen and Barnaby Wright, 45–63. London: The Courtauld Gallery, 2008. http://www.worldcat.org/oclc/938162816.
Roskill, Mark W. “Early Impressionism and the Fashion Print.” The Burlington Magazine 112, no. 807 (June 1970): 390–95. http://www.jstor.org/stable/876343.
Schirrmeister, Anne. “La Dernière Mode: Berthe Morisot and Costume.” In Perspectives on Morisot, edited by T. J. Edelstein, 103–15. New York: Hudson Hills Press, 1990. http://www.worldcat.org/oclc/463695207.
Severa, Joan L. Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900. Kent: Kent State University Press, 1995. http://www.worldcat.org/oclc/552147475.
Shep, R. L., and Mark Campbell, eds. Civil War Ladies: Fashions and Needle-Arts of the Early 1860s. Mendocino: R.L. Shep, 1987. http://www.worldcat.org/oclc/794531398.
Simon, Marie. Fashion in Art: The Second Empire and Impressionism. London: Zwemmer, 1995. http://www.worldcat.org/oclc/33973359.
Simon, Marie, and Vivienne Westwood. Fashion in Art: The Second Empire and Impressionism. London : New York: Zwemmer ; distributed in the USA and Canada by Antique Collector’s Club, 1995.

1870-1879

Arnold, Janet. Patterns of Fashion 2: Englishwomen’s Dresses & Their Construction, 1860-1940. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/223335455.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Bailey, Colin B. Renoir, Impressionism, and Full-Length Painting. New York: Yale University Press, 2012. http://www.worldcat.org/oclc/786139582.
Beukel, Dorine van den. Fashion Design 1850-1895. New York: By Design Press, 1997. http://www.worldcat.org/oclc/743141113.
Blanc, Charles. Art in Ornament and Dress. New York: Scribner Welford and Armstrong, 1877. http://www.worldcat.org/oclc/903437797.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Burnham, Helen. “Fashion and the Representation of Modernity: Studies in the Late Work of Édouard Manet (1832-1883).” Ph.D. dissertation, New York University, 2007. http://www.worldcat.org/oclc/226381287.
Cole, Daniel James, and Nancy Deihl. The History of Modern Fashion from 1850. London: Laurence King Publishing, 2015. http://www.worldcat.org/oclc/900012311.
Costume Society. High Victorian Costume, 1860-1890 Proceedings of the Second Annual Conference of the Costume Society, March 1968. London: Victoria & Albert Museum, 1969. http://www.worldcat.org/oclc/620413645.
Crawford, William T. [from old catalog. Crawford’s System on the Science and Art of Garment Cutting. [Providence?, 1874. http://archive.org/details/crawfordssystemo00craw.
De Young, Justine. “Representing the Modern Woman: The Fashion Plate Reconsidered (1865-1875).” In Women, Femininity and Public Space in European Visual Culture, 1789-1914, edited by Heather Belnap Jensen and Temma Balducci, 97–114. Burlington, VT: Ashgate, 2014. http://www.worldcat.org/oclc/876466633.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
De Young, Justine. “Fashion and the Press.” In Impressionism, Fashion & Modernity, edited by Gloria Groom, 233–43. New Haven: Yale University Press, 2012. http://www.worldcat.org/oclc/843185621.
Dombrowski, André. “The Emperor’s Last Clothes: Cézanne, Fashion and ‘l’année Terrible.’” Burlington Magazine 148, no. 1242 (September 2006): 586–94. http://www.jstor.org/stable/20074554.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Flamant-Paparatti, Danielle. Bien Pensantes, Cocodettes et Bas Bleus : La Femme Bourgeoise à Travers La Presse Féminine et Familiale (1873-1887). Paris: Denoël, 1984. http://www.worldcat.org/oclc/906468967.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Furbank, Philip Nicholas, and Alex M. Cain. Mallarmé on Fashion: A Translation of the Fashion Magazine, Le Dernière Mode, with Commentary. New York: Berg, 2004. http://www.worldcat.org/oclc/936905110.
Garb, Tamar. Bodies of Modernity: Figure and Flesh in Fin-de-Siècle France. New York: Thames and Hudson, 1998. http://www.worldcat.org/oclc/39651988.
Glencross, William [from old catalog. A Scientific Guide to Practical Cutting. New York, W. Glencross, 1873. http://archive.org/details/scientificguidet00glen.
Goldthorpe, Caroline. From Queen to Empress: Victorian Dress 1857-1877. New York: Metropolitan Museum of Art, 1988. http://www.worldcat.org/oclc/464219264.
Groom, Gloria Lynn, ed. Impressionism, Fashion & Modernity. Chicago: Art Institute of Chicago, 2012. http://www.worldcat.org/oclc/794814340.
Hambourg, Maria Morris. Nadar. New York: Metropolitan Museum of Art, 2013. http://www.worldcat.org/oclc/851034965.
Hansen, Dorothee. Monet und Camille: Frauenportraits im Impressionismus. Munich: Hirmer, 2005. http://www.worldcat.org/oclc/489638739.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Iskin, Ruth. Modern Women and Parisian Consumer Culture in Impressionist Painting. Cambridge: Cambridge University Press, 2007. http://www.worldcat.org/oclc/870650201.
Kinney, Leila W. “Fashion and Figuration in Modern Life Painting.” In Architecture in Fashion, edited by Deborah Fausch, 270–313. New York: Princeton Architectural Press, 1994. http://www.worldcat.org/oclc/660058424.
Koch, Augustus [from old catalog. The Cutters’ Centennial Guide; Poughkeepsie, N.Y. [Printed at the office of the Poughkeepsie telegraph and daily press], 1876. http://archive.org/details/cutterscentennia00koch.
Lambert, Miles. Fashion in Photographs 1860-1880. London: Batsford, 1991. http://www.worldcat.org/oclc/300306371.
Lansdell, Avril. Fashion à La Carte, 1860-1900: A Study of Fashion through Cartes-de-Visite. History in Camera. Princes Risborough, Aylesbury, Bucks, UK: Shire Publications, 1985. http://www.worldcat.org/oclc/436041340.
Linthicum, William O. [from old catalog. Divisional and Exact Measurement Systems for Garment Cutting. New York, Morgan, Comes & Lawrence, stationers and printers, 1872. http://archive.org/details/divisionalexactm00lint.
Linthicum, William O. [from old catalog]. Divisional and Exact Measurement Systems for Garment Cutting. New York: Lawrence & Allen, stationers and printers, 1876. https://catalog.hathitrust.org/Record/009584972.
MacDonald, Margaret F., Susan Grace Galassi, Aileen Ribeiro, and Samuel Sachs. Whistler, Women, & Fashion. New Haven: Yale University Press, 2003. http://www.worldcat.org/oclc/757386204.
Madison, J. O. (James Otis). Elements of Garment Cutting. Hartford, Conn., The Case, Lockwood & Brainard company, printers, 1878. http://archive.org/details/elementsofgarmen00madi.
Maeder, Edward, and Evelyn Ackerman, eds. Dressed for the Country, 1860-1900: Exhibition. Los Angeles: Los Angeles County Museum of Art, 1984. http://www.worldcat.org/oclc/562356615.
Matheson, H. [from old catalog. H. Matheson’s Scientific and Practical Guide for the Tailor’s Cutting Department. New York, H. Matheson, 1871. http://archive.org/details/hmathesonsscient00math.
Matheson, H. [from old catalog]. H. Matheson’s Scientific and Practical Guide for the Tailor’s Cutting Department. New York: H. Matheson, 1871. https://catalog.hathitrust.org/Record/009590484.
Matyjaszkiewicz, Krystyna. “Costume in Tissot’s Pictures.” In James Tissot, 64–77. Oxford: Phaidon, 1984. http://www.worldcat.org/oclc/630471252.
McCauley, Elizabeth Anne. “Photography, Fashion, and the Cult of Appearances.” In Impressionism, Fashion & Modernity, edited by Gloria Groom, 197–207. New Haven: Yale University Press, 2012. http://www.worldcat.org/oclc/843185621.
Muller, Florence, Farid Chenoune, and Phillippe Thiébaut. Dior Impressions: The Inspiration and Influence of Impressionism at the House of Dior. New York: Rizzoli, 2013. http://www.worldcat.org/oclc/876440735.
Olian, JoAnne, ed. 80 Godey’s Full-Color Fashion Plates, 1838-1880. Mineola, N.Y: Dover Publications, 1998. http://www.worldcat.org/oclc/868271404.
Olian, JoAnne, ed. Full-Color Victorian Fashions, 1870-1893. Mineola, NY: Dover Publications, 1999. http://www.worldcat.org/oclc/40838676.
Piazza, Arianna, ed. Fashion 150: 150 Years, 150 Designers. London: Laurence King Publishing, 2016. http://www.worldcat.org/oclc/961459695.
Ribeiro, Aileen. “The Art of Dress: Fashion in Renoir’s La Loge.” In Renoir at the Theatre: Looking at La Loge, edited by Ernst Vegelin van Claerbergen and Barnaby Wright, 45–63. London: The Courtauld Gallery, 2008. http://www.worldcat.org/oclc/938162816.
Roskill, Mark W. “Early Impressionism and the Fashion Print.” The Burlington Magazine 112, no. 807 (June 1970): 390–95. http://www.jstor.org/stable/876343.
Schirrmeister, Anne. “La Dernière Mode: Berthe Morisot and Costume.” In Perspectives on Morisot, edited by T. J. Edelstein, 103–15. New York: Hudson Hills Press, 1990. http://www.worldcat.org/oclc/463695207.
Selle, William [from old catalog. A Treatise on the Measurement of the Human Body and the Art of Cutting Materials for Gentlemen’s Clothes. Chicago, Ill., C. F. Lichtner, book and job printer, 1873. http://archive.org/details/treatiseonmeasur00sell.
Selle, William [from old catalog. Die lehre der körpermessung und der kunst des zuschneidens von herrenkleidern. Chicago, Ill., Buch- und accidenz-druckerei von C. F. Lichtner, 1873. http://archive.org/details/dielehrederkrp00sell.
Severa, Joan L. Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900. Kent: Kent State University Press, 1995. http://www.worldcat.org/oclc/552147475.

1880-1889

Amnéus, Cynthia. A Separate Sphere: Dressmakers in Cincinnati’s Golden Age, 1877-1922. Costume Society of America Series. Lubbock: Texas Tech University Press, 2003. http://www.worldcat.org/oclc/907017627.
Arnold, Janet. Patterns of Fashion 2: Englishwomen’s Dresses & Their Construction, 1860-1940. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/223335455.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Bailey, Colin B. Renoir, Impressionism, and Full-Length Painting. New York: Yale University Press, 2012. http://www.worldcat.org/oclc/786139582.
Beukel, Dorine van den. Fashion Design 1850-1895. New York: By Design Press, 1997. http://www.worldcat.org/oclc/743141113.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Burnham, Helen. “Fashion and the Representation of Modernity: Studies in the Late Work of Édouard Manet (1832-1883).” Ph.D. dissertation, New York University, 2007. http://www.worldcat.org/oclc/226381287.
Cole, Daniel James, and Nancy Deihl. The History of Modern Fashion from 1850. London: Laurence King Publishing, 2015. http://www.worldcat.org/oclc/900012311.
Costume Society. High Victorian Costume, 1860-1890 Proceedings of the Second Annual Conference of the Costume Society, March 1968. London: Victoria & Albert Museum, 1969. http://www.worldcat.org/oclc/620413645.
De Young, Justine. “Representing the Modern Woman: The Fashion Plate Reconsidered (1865-1875).” In Women, Femininity and Public Space in European Visual Culture, 1789-1914, edited by Heather Belnap Jensen and Temma Balducci, 97–114. Burlington, VT: Ashgate, 2014. http://www.worldcat.org/oclc/876466633.
De Young, Justine. “Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109–15. London: Bloomsbury Academic, 2015. http://www.worldcat.org/oclc/987101210.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Flamant-Paparatti, Danielle. Bien Pensantes, Cocodettes et Bas Bleus : La Femme Bourgeoise à Travers La Presse Féminine et Familiale (1873-1887). Paris: Denoël, 1984. http://www.worldcat.org/oclc/906468967.
Font, Lourdes M. “International Couture: The Opportunities and Challenges of Expansion, 1880–1920.” Business History 54, no. 1 (February 1, 2012): 30–47. https://doi.org/10.1080/00076791.2011.626977.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Garb, Tamar. Bodies of Modernity: Figure and Flesh in Fin-de-Siècle France. New York: Thames and Hudson, 1998. http://www.worldcat.org/oclc/39651988.
Garb, Tamar. “Painting the ‘Parisienne’: James Tissot and the Making of the Modern Woman.” In Seductive Surfaces: The Art of Tissot, edited by Katharine Jordan Lochnan, 95–120. New Haven: Yale University Press, 1999. http://www.worldcat.org/oclc/902215198.
Garvey, Ellen Gruber. The Adman in the Parlor : Magazines and the Gendering of Consumer Culture, 1880s to 1910s. New York: Oxford University Press, 1996. http://www.worldcat.org/oclc/300413491.
Groom, Gloria Lynn, ed. Impressionism, Fashion & Modernity. Chicago: Art Institute of Chicago, 2012. http://www.worldcat.org/oclc/794814340.
Hansen, Dorothee. Monet und Camille: Frauenportraits im Impressionismus. Munich: Hirmer, 2005. http://www.worldcat.org/oclc/489638739.
Hecklinger, Charles [from old catalog. The Dress and Cloak Cutter. Burlington, Vt., 1881. http://archive.org/details/dresscloakcutter00heck.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Iskin, Ruth. Modern Women and Parisian Consumer Culture in Impressionist Painting. Cambridge: Cambridge University Press, 2007. http://www.worldcat.org/oclc/870650201.
Iskin, Ruth. “Selling, Seduction, and Soliciting the Eye: Manet’s Bar at the Folies-Bergère.” Art Bulletin 77, no. 1 (March 1995): 25–44. http://www.jstor.org/stable/3046078.
Kinney, Leila W. “Fashion and Figuration in Modern Life Painting.” In Architecture in Fashion, edited by Deborah Fausch, 270–313. New York: Princeton Architectural Press, 1994. http://www.worldcat.org/oclc/660058424.
Koch, Augustus [from old catalog. The Cutter and Guide; Poughkeepsie, N.Y., 1883. http://archive.org/details/cutterguide01koch.
Lansdell, Avril. Fashion à La Carte, 1860-1900: A Study of Fashion through Cartes-de-Visite. History in Camera. Princes Risborough, Aylesbury, Bucks, UK: Shire Publications, 1985. http://www.worldcat.org/oclc/436041340.
Larder, William [from old catalog. Thirty Years at the Cutting-Board: Being a Work Designed to Assist the Student to Acquire Knowledge in the Art of Cutting. Containing a Series of Diagrams Laid down to Measure. New York, 1882. http://archive.org/details/thirtyyearsatcut00lard.
Levitt, Sarah. Fashion in Photographs 1880-1900. Batsford Fashion Guides. London: Batsford, 1991. http://www.worldcat.org/oclc/1008122374.
MacDonald, Margaret F., Susan Grace Galassi, Aileen Ribeiro, and Samuel Sachs. Whistler, Women, & Fashion. New Haven: Yale University Press, 2003. http://www.worldcat.org/oclc/757386204.
Maeder, Edward, and Evelyn Ackerman, eds. Dressed for the Country, 1860-1900: Exhibition. Los Angeles: Los Angeles County Museum of Art, 1984. http://www.worldcat.org/oclc/562356615.
Majer, Michele, Lenard R. Berlanstein, Marlis Schweitzer, and Sheila Stowell, eds. Staging Fashion, 1880-1920: Jane Hading, Lily Elsie, Billie Burke. New York: Bard Graduate Center, 2012. http://www.worldcat.org/oclc/777951295.
Matyjaszkiewicz, Krystyna. “Costume in Tissot’s Pictures.” In James Tissot, 64–77. Oxford: Phaidon, 1984. http://www.worldcat.org/oclc/630471252.
Mitchell, The Jno J. “Standard” Work on Cutting. New York, The Jno. J. Mitchell co., 1884. http://archive.org/details/standardworkoncu01mitc.
Mitchell, The Jno J. “Standard” Work on Cutting. New York, The Jno. J. Mitchell co., 1886. http://archive.org/details/standardworkoncu00mitc.
Moore & Radcliffe, Cleveland. The Incline Method. Cleveland, Ohio, Moore & Radcliffe, 1889. http://archive.org/details/inclinemethod00moor.
Muller, Florence, Farid Chenoune, and Phillippe Thiébaut. Dior Impressions: The Inspiration and Influence of Impressionism at the House of Dior. New York: Rizzoli, 2013. http://www.worldcat.org/oclc/876440735.
Olian, JoAnne, ed. Full-Color Victorian Fashions, 1870-1893. Mineola, NY: Dover Publications, 1999. http://www.worldcat.org/oclc/40838676.
Piazza, Arianna, ed. Fashion 150: 150 Years, 150 Designers. London: Laurence King Publishing, 2016. http://www.worldcat.org/oclc/961459695.
Ribeiro, Aileen. “The Art of Dress: Fashion in Renoir’s La Loge.” In Renoir at the Theatre: Looking at La Loge, edited by Ernst Vegelin van Claerbergen and Barnaby Wright, 45–63. London: The Courtauld Gallery, 2008. http://www.worldcat.org/oclc/938162816.
Roskill, Mark W. “Early Impressionism and the Fashion Print.” The Burlington Magazine 112, no. 807 (June 1970): 390–95. http://www.jstor.org/stable/876343.
Schirrmeister, Anne. “La Dernière Mode: Berthe Morisot and Costume.” In Perspectives on Morisot, edited by T. J. Edelstein, 103–15. New York: Hudson Hills Press, 1990. http://www.worldcat.org/oclc/463695207.
Severa, Joan L. Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900. Kent: Kent State University Press, 1995. http://www.worldcat.org/oclc/552147475.
Sidlauskas, Susan. “Painting Skin: John Singer Sargent’s ‘Madame X.’” American Art 15, no. 3 (Autumn 2001): 8–33. https://doi.org/10.1086/444645.
Simon, Marie. Fashion in Art: The Second Empire and Impressionism. London: Zwemmer, 1995. http://www.worldcat.org/oclc/33973359.
Smith, Clarence B. [from old catalog]. The Cutter’s Manual. Providence? R.I., 1882. https://catalog.hathitrust.org/Record/009583624.
Smith, Clarence B. [from old catalog. The Cutter’s Manual; [Providence? R.I.], 1882. http://archive.org/details/cuttersmanual00smit.
Stone, Charles John [from old catalog. Stone’s Paramount-Cutter; a System for Cutting Garments, Based upon Scientific Principles, Including the Self-Varying Shoulder, in Connection with the Division of the Breast-Measure. Chicago, Meyer & brother, 1887. http://archive.org/details/stonesparamountc01ston.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.

1890-1899

Amnéus, Cynthia. A Separate Sphere: Dressmakers in Cincinnati’s Golden Age, 1877-1922. Costume Society of America Series. Lubbock: Texas Tech University Press, 2003. http://www.worldcat.org/oclc/907017627.
Arnold, Janet. Patterns of Fashion 2: Englishwomen’s Dresses & Their Construction, 1860-1940. New ed. New York: Drama Book Specialists, 1977. http://www.worldcat.org/oclc/223335455.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes and Society, 1500-1914. London: National Trust, 1996. http://www.worldcat.org/oclc/759883168.
Beukel, Dorine van den. Fashion Design 1850-1895. New York: By Design Press, 1997. http://www.worldcat.org/oclc/743141113.
Blum, Stella, ed. Paris Fashions of the 1890s: A Picture Source Book with 350 Designs, Including 24 in Full Color. New York: Dover, 1984. http://www.worldcat.org/oclc/936536136.
Boucher, François. 20,000 Years of Fashion: The History of Costume and Personal Adornment. Expanded ed. New York: H.N. Abrams, 1987. http://www.worldcat.org/oclc/979316852.
Brown, Susan, ed. Fashion: The Definitive History of Costume and Style. New York: DK Publishing, 2012. http://www.worldcat.org/oclc/840417029.
Cole, Daniel James, and Nancy Deihl. The History of Modern Fashion from 1850. London: Laurence King Publishing, 2015. http://www.worldcat.org/oclc/900012311.
Costume, Society. La Belle Epoque: Costume 1890-1914; Proceedings of the First Annual Conference of the Costume Society, April 1967. London: Victoria & Albert Museum, 1968. http://www.worldcat.org/oclc/877604555.
Dittmar & Sheifer, New York [from old catalog. The Self-Balancing System of Cutting Ladies’ Garments. New York, Dittmar & Sheifer, 1891. http://archive.org/details/selfbalancingsys00ditt.
Edwards, Lydia. How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/988370049.
Font, Lourdes M. “International Couture: The Opportunities and Challenges of Expansion, 1880–1920.” Business History 54, no. 1 (February 1, 2012): 30–47. https://doi.org/10.1080/00076791.2011.626977.
Fukai, Akiko, ed. Fashion: A History from the 18th to the 20th Century. Köln: Taschen, 2006. http://www.worldcat.org/oclc/857267477.
Garvey, Ellen Gruber. The Adman in the Parlor : Magazines and the Gendering of Consumer Culture, 1880s to 1910s. New York: Oxford University Press, 1996. http://www.worldcat.org/oclc/300413491.
Gordon, Selden Smith. The American Coat, Vest and Trousers System. New York, J.J. Mitchell, 1895. http://archive.org/details/americancoatvest00gord.
Greenstein, A. M. [from old catalog. Erste franzsisch-amerikanische lehr-methode des zuschneidens für herrn und knaben anzüge. New York, A. M. Greenstein, 1895. http://archive.org/details/erstefranzsisch00gree.
Hecklinger, Charles, and Kristina Seleshanko. The “Keystone” Jacket and Dress Cutter: An 1895 Guide to Women’s Tailoring. Courier Corporation, 2006.
Hertzer, Günther F. Garment Cutting in the Twentieth Century. Toledo, Ohio, The B. F. Wade co., printers], 1894. http://archive.org/details/garmentcuttingin01hert.
Hill, Daniel Delis. History of World Costume and Fashion. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. http://www.worldcat.org/oclc/768100950.
Holmes, Nelson [from old catalog. The Holmes Cutter. A Practical System for Garment Cutting That Is Based on Selfvarying Principles for Block Patterns .. [Chicago?], 1894. http://archive.org/details/holmescutterprac00holm.
Hughes & Storey, St Louis [from old catalog. The Ladies’ Tailor Complete Instructor. St. Louis, Mekeel print, 1892. http://archive.org/details/ladiestailorcomp00hugh.
Johnson, Susan Gail, Phyllis Magidson, Thomas Mellins, Donald Albrecht, and Jeannine J. Falino, eds. Gilded New York: Design, Fashion, and Society. New York: Museum of the City of New York, 2013. http://www.worldcat.org/oclc/900784012.
Keif, Frederic Augustus [from old catalog. The Keif Method of Cutting Coats and Vests. [Owosso, Mich., Printed by the Times printing co.], 1899. http://archive.org/details/keifmethodofcutt00keif.
Kennedy, Henry G. [from old catalog. The Science of Coat and Vest Cutting; [Chicago] The author, 1891. http://archive.org/details/scienceofcoatves00kenn.
Lansdell, Avril. Fashion à La Carte, 1860-1900: A Study of Fashion through Cartes-de-Visite. History in Camera. Princes Risborough, Aylesbury, Bucks, UK: Shire Publications, 1985. http://www.worldcat.org/oclc/436041340.
Levitt, Sarah. Fashion in Photographs 1880-1900. Batsford Fashion Guides. London: Batsford, 1991. http://www.worldcat.org/oclc/1008122374.
Maeder, Edward, and Evelyn Ackerman, eds. Dressed for the Country, 1860-1900: Exhibition. Los Angeles: Los Angeles County Museum of Art, 1984. http://www.worldcat.org/oclc/562356615.
Majer, Michele, Lenard R. Berlanstein, Marlis Schweitzer, and Sheila Stowell, eds. Staging Fashion, 1880-1920: Jane Hading, Lily Elsie, Billie Burke. New York: Bard Graduate Center, 2012. http://www.worldcat.org/oclc/777951295.
Moore, Charles E. [from old catalog. The Self Instructor. New York, Moore & Roscoe, 1894. http://archive.org/details/selfinstructor00moor.
Moore, Charles E. [from old catalog, and Atlanta Atlanta cutting school. The Self-Instructor. Atlanta, Ga., The Atlanta cutting school, 1892. http://archive.org/details/selfinstructor01moor.
Muller, Florence, Farid Chenoune, and Phillippe Thiébaut. Dior Impressions: The Inspiration and Influence of Impressionism at the House of Dior. New York: Rizzoli, 2013. http://www.worldcat.org/oclc/876440735.
Piazza, Arianna, ed. Fashion 150: 150 Years, 150 Designers. London: Laurence King Publishing, 2016. http://www.worldcat.org/oclc/961459695.
Severa, Joan L. Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900. Kent: Kent State University Press, 1995. http://www.worldcat.org/oclc/552147475.
Solomon-Godeau, Abigail. “The Legs of the Countess.” October 39 (Winter 1986): 65–108.
Stevenson, Pauline. Edwardian Fashion. London: Ian Allan, 1980. http://www.worldcat.org/oclc/7814833.
Stone, Charles John [from old catalog. Stone’s Paramount-Cutter; a System for Cutting Garments, Based upon Scientific Principles, Including the Self-Varying Shoulder in Connection with the Division of the Breast-Measure. Chicago, The C. J. Stone co. cutting school, 1891. http://archive.org/details/stonesparamountc00ston.
Stone, Charles John [from old catalog. Superlative System of Cutting Ladies’ Garments .. Chicago, The C. J. Stone co. cutting school, 1897. http://archive.org/details/superlativesyste00ston.
Takeda, Sharon Sadako, Kaye Durland Spilker, Kimberly Chrisman-Campbell, Clarissa Esguerra, and Nicole LaBouff. Fashioning Fashion: European Dress in Detail, 1700-1915. New York: DelMonico Books/Prestel, 2010. http://www.worldcat.org/oclc/971876353.
Thompson, Paul, and Gina Harkell. The Edwardians in Photographs. New York: Holmes & Meier, 1979. http://www.worldcat.org/oclc/748497764.
Tortora, Phyllis G., and Sara B. Marcketti. Survey of Historic Costume. Sixth edition. New York: Fairchild Books, 2015. http://www.worldcat.org/oclc/972500782.
Van Aarle, Frank A. [from old catalog. Key Line System of Garment Cutting. [Toledo, Ohio], 1892. http://archive.org/details/keylinesystemofg00vana.
Vincent, W. D. F. (William D. F. ). The Cutters’ Practical Guide to the Cutting of Ladies’ Garments.. London, J. Williamson, 1890. http://archive.org/details/cutterspractical00vinc.
Vincent, Susan J., and Denise Amy Baxter, eds. A Cultural History of Dress and Fashion: The Age of Empire (1800-1920). London: Bloomsbury Academic, 2017. http://www.worldcat.org/oclc/967107605.
Welander, A. W. [from old catalog. Welander’s Perfected Combination System Based upon Practical, Sure and Simple Methods, Giving the Exact Balance and Proportions for Each and Every Type and Form. Chicago, Ill., A. W. Welander, 1896. http://archive.org/details/welandersperfect00wela.

Filmography

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1800-1825

Chapman, Jane. Bright Star. Sony Pictures Home Entertainment, 2009. http://www.imdb.com/title/tt0810784.
Koster, Henry. Désirée, 1955. http://www.imdb.com/title/tt0046903/.
Lee, Ang. Sense and Sensibility. Columbia Pictures, 1995. http://www.imdb.com/title/tt0114388.
Nair, Mira. Vanity Fair. Focus Features, 2004. http://www.imdb.com/title/tt0241025.
Perret, Léonce. Madame Sans-Gêne, 1925. http://www.imdb.com/title/tt0016065/.
Rohmer, Éric. Die Marquise Von O--: The Marquise of O--. Janus Films, 1976. http://www.imdb.com/title/tt0074870.
Rose, Bernard. Immortal Beloved. Icon Entertainment, 1994. http://www.imdb.com/title/tt0110116.
Stevens, George. Quality Street, 1937. http://www.imdb.com/title/tt0029454/.
Wright, Joe. Pride & Prejudice. Focus Features, Universal Pictures, 2005. http://www.imdb.com/title/tt0414387.

1825-1855

Campion, Jane. The Piano. CiBy 2000, 1993. http://www.imdb.com/title/tt0107822.
Carné, Marcel. Les enfants du paradis: Children of Paradise. Société Nouvelle Pathé Cinéma, 1946. http://www.imdb.com/title/tt0037674.
Cukor, George. Camille. Metro-Goldwyn-Mayer (MGM), 1936. http://www.imdb.com/title/tt0028683.
Fukunaga, Cary Joji. Jane Eyre. Focus Features, 2011. http://www.imdb.com/title/tt1229822.
Herzog, Werner. The Enigma of Kaspar Hauser. Werner Herzog Filmproduktion, 1974. http://www.imdb.com/title/tt0071691.
Kurys, Diane. The Children of the Century. Alexandre Films, Canal+, 1999. http://www.imdb.com/title/tt0177746.
Leonard, Robert Z. Pride and Prejudice, 1940. http://www.imdb.com/title/tt0032943/.
Wyler, William. The Heiress. Paramount Pictures, 1949. http://www.imdb.com/title/tt0041452.

1855-1870

Fleming, Victor. Gone with the Wind. Metro-Goldwyn-Mayer (MGM), 1939. http://www.imdb.com/title/tt0031381.
Griffith, D. W. The Birth of a Nation. D.W. Griffith Productions, 1915. http://www.imdb.com/title/tt0004972.
Scorsese, Martin. Gangs of New York. Miramax, 2002. http://www.imdb.com/title/tt0217505.
Truffaut, François. L’histoire d’Adèle H. The Story of Adele H. MGM Home Entertainment, 1975. http://www.imdb.com/title/tt0073114.
Visconti, Luchino. Il gattopardo: The Leopard. Titanus, 1963. http://www.imdb.com/title/tt0057091.

1870-1890

Anderson, Michael. Around the World in 80 Days. Michael Todd Co., 1956. http://www.imdb.com/title/tt0048960.
Campion, Jane. The Portrait of a Lady. Polygram Filmed Entertainment, 1996. http://www.imdb.com/title/tt0117364.
Cukor, George. Gaslight. Metro-Goldwyn-Mayer (MGM), 1944. http://www.imdb.com/title/tt0036855.
Renoir, Jean. Nana. Les Films Jean Renoir, 1926. http://www.imdb.com/title/tt0017196.
Scorsese, Martin. The Age of Innocence. Columbia Pictures, 1993. http://www.imdb.com/title/tt0106226.
Welles, Orson. The Magnificent Ambersons. Mercury Productions, 1942. http://www.imdb.com/title/tt0035015.
Wright, Joe. Anna Karenina. Universal Pictures, 2012. http://www.imdb.com/title/tt1781769.

1890-1910

Altman, Robert. Vincent & Theo. Belbo Films, 1990. http://www.imdb.com/title/tt0100873.
Branagh, Kenneth. Hamlet. Castle Rock Entertainment, 1996. http://www.imdb.com/title/tt0116477.
Cukor, George. My Fair Lady. Warner Bros. Pictures, 1964. http://www.imdb.com/title/tt0058385.
Davies, Terrence. The House of Mirth. Three Rivers Production, 2000. http://www.imdb.com/title/tt0200720.
Ivory, James. A Room with a View. Goldcrest Films International, 1985. http://www.imdb.com/title/tt0091867.
Ivory, James. Howards End. Merchant Ivory Productions, 1992. http://www.imdb.com/title/tt0104454.
Minnelli, Vincente. Gigi. Metro-Goldwyn-Mayer (MGM), 1958. http://www.imdb.com/title/tt0051658.
Parker, Oliver. An Ideal Husband. Arts Council of England, 1999. http://www.imdb.com/title/tt0122541.
Softley, Iain. The Wings of the Dove. Miramax, 1997. http://www.imdb.com/title/tt0120520.

Entries to Date

1800-1809

The nineteenth century opened with a fashion landscape that was changing dramatically and rapidly from the styles of a generation earlier. The French Revolution brought fashions that had been emerging since the 1780s to the forefront. Neoclassicism now defined fashion as both men and women took inspiration from classical antiquity. For women, the high-waisted silhouette in lightweight muslin was the dominant style, while fashionable men looked to the tailors of Britain for a new, refined look.

1810-1819

The high-waisted neoclassical silhouette continued to define womenswear of the 1810s, as fashion remained inspired by classical antiquity. However, the purity of the line was increasingly broken by trim, colors, and a new angularity as tubular skirts were gradually replaced by triangular ones by the end of the decade. Menswear was led by British tailors, as a perfect fit was paramount. World events such as the Napoleonic Wars played a large role in shaping fashion of the period.

1818-1907 – Elizabeth Keckley

Elizabeth Keckley, a remarkably successful dressmaker, built her career upon exacting technical standards, graceful clean lines, and an understanding of Parisian fashionable trends. She is well known for her work for the political elite of Washington DC, particularly for Mary Todd Lincoln. Keckley was one of the first African American women to publish a book and was an impassioned activist who created a relief organization for newly freed enslaved persons.

1820-1829

The 1820s were a transitional period away from the “Empire” silhouette and Neoclassical influences. Instead, Romanticism became the chief influence on fashion, as Gothic decoration lavished dresses and historicism inspired styles borrowed from past centuries. Layers of color and an increasingly exaggerated silhouette, for both men and women, created a style of dramatic display by the end of the decade.

1830-1839

1830s fashion was dramatic and overwhelming, marked by huge sleeves and hats, reflecting the Romantic movement. Extravagant dandies led the fashion world. After 1836, the exuberance that had defined fashion since the 1820s collapsed into a drooping sentimentality.

1840-1849

Influenced by the Gothic Revival and Romanticism, the fashionable 1840s woman was demure, constrained by an unforgiving silhouette. Menswear was understated, as the bourgeois Victorian male became the fashion leader.

1850-1859

Fashion of the 1850s for both men and women was in a colorful, exuberant style with luxurious fabrics and relaxed cuts. Technological innovation had a large impact on clothing in this period, from the invention of the cage crinoline to the increasing availability of the sewing machine.

1855

Women’s fashion was ornate above all else in 1855, with the hoop skirt reigning prominently in conjunction with brightly colored silks and satins accessorized with all varieties of tasteful trimmings.

1856

In 1856, women’s dresses were made mostly in silk, cotton, and velvet, and their silhouettes consisted of bodices fitted to the waist and full bell skirts that were accessorized with flounces, stripes, trims, and flowers.

1860 – Cream silk evening dress

This light pinky peach dress covered in ruched bows and with full crinoline-supported skirt epitomizes the early 1860s ball gown. With delicate detailing and a simple color palette this garment is sophisticated yet effortless–perfectly in line with the fashions of the day.

1860-1869

During the 1860s, the cage crinoline allowed women’s skirts to reach their apex in size, while menswear relaxed into wide, easy cuts. Advances in technology, such as the sewing machine and aniline dyes, and the rise of Parisian couture, beginning with the House of Worth, changed the fashion landscape.

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