“Beauty Adorns Virtue”: Italian Renaissance Fashion
Renaissance beauty was not skin deep. In order to be considered beautiful (and fashionable), an early modern woman must also be virtuous.
Renaissance beauty was not skin deep. In order to be considered beautiful (and fashionable), an early modern woman must also be virtuous.
From the eighteenth century to the present day, women’s swimwear has undergone an unparalleled transformation. Changes in women’s swimwear throughout history have reflected sociological and technological factors, thus the garment acts as a barometer of time.
Beetle-wing embroidery: a colonialist fantasia and exotic fad in nineteenth-century England and America. Fig. 1 - Collector unknown (British). Beetles, before 1951....
By examining fashion modes, economical and societal fluctuations, and urban developments, this essay explores how New York City department stores changed from their initial founding as dry goods stores, developed through the turn of the twentieth century, and emerged in the interwar years.
Part 1 of this essay covers the emergence of department stores in New York City during the nineteenth century. Part 2 discusses the roles of salesclerks and anonymous fashion designers who worked for department store labels.
This essay traces the evolution of New York’s shopping scene in the 19th century from the downtown dry goods store to the uptown “palace of consumption.”
This essay traces the evolution of New York’s shopping scene in the 19th century from the downtown dry goods store to the uptown “palace of consumption.”
Gucci has taken a thoughtful, creative approach to engaging Chinese consumers. While other brands have fallen into caricature and suffered for it, Gucci has become a beloved and dominant luxury brand in China.
Often anachronistically called the ‘S-bend,’ the dramatic straight-front corset of the early 1900s was invented by a doctor for health purposes and quickly swept up into the tides of fashion.
When the spirit of the ’60s brought new relevance to the ’20s silhouette, Norman Norell was at the vanguard of the revival. Indeed, at a time when other designers looked toward the future, Norell looked to the past.
Flappers and mods rebelled against the traditional image of femininity held by the generations before them. Although their worlds were very different, their fashion and beauty ideals were remarkably similar.
In the early 20th century, the American ready-to-wear industry for stout women–whom we typically call plus-size today–emerged almost simultaneously as that for slimmer women. Stores like Lane Bryant offered a wide variety of clothing specially designed for stout women, who represented a growing portion of the population and had both the desire and income to spend on fashion goods. This essay explores how the industry evolved in the 1910s and 20s to serve them.