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The Norman Mosaics are a series of 12th-century artworks in churches across Sicily. The dress seen in these mosaics reflects Byzantine styles including the divetesion and loros. The mosaics have notably also served as inspiration for designers in the 21st century.
King Henry II of England comes to terms with his affection for his close friend and confidant Thomas à Becket, who finds his true honor by observing God’s divine will rather than the king’s.
The church of San Vitale in Ravenna is one of the most important Byzantine monuments in northeastern Italy. The basilica is fully decorated by mosaics, including two depicting Emperor Justinian and Empress Theodora, which reveal the key features of sixth-century imperial style.
A piece of linen which passes under the chin and is pinned at the sides, usually worn in conjunction with additional head coverings during the Middle Ages.
Clothing during the Byzantine era was strictly regulated based on identity, status, rank, and gender. Visual and literary sources from the period provide a glimpse to Byzantine court and upper-class dress.
A t-shaped tunic with very wide sleeves. Worn by both men and women during the Byzantine empire.
OVERVIEW Womenswear [To come…] Fig. 1 - Artist unknown. Coronation of a prince : formerly identified with Charlemagne, circa 870. Illumination on parchment; 27 ×...
A rectangular panel, often ornamented with embroidery or jewels, attached to the front of a cloak. Worn as a sign of status by Byzantine emperors and other important officials.
1869 – Red Silk Dress
katazome (stencil printing)
1905 – André Derain, Lucien Gilbert
Inès Gâches-Sarraute and the Straight-Front Corset
1906 – John White Alexander, Study in Black and Green
