Category: 1670-1679

Overview

1670-1679

1670-1679, 17th century, decade overview

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1678 – Eglon Hendrick van der Neer, Judith

1670-1679, 17th century, artwork analysis

Van der Neer’s Judith represents a 17th-century vision of a biblical character and is full of ravishing contemporary fashion detail.

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Recent Essays

1787-9 – Alexandre-August Robineau, The Fencing-Match between the Chevalier de Saint-George and the Chevalier d’Eon
In 1780-1789, 18th century, artwork analysis, BIPOC, LGBTQ+
A History of Women’s Swimwear
In 18th century, 19th century, 20th century, 21st century, thematic essays
1990-1999
In 1990-1999, 20th century, decade overview
We Were There: Harlie Des Roches on the Black Presence in Renaissance Europe
In 16th century, BIPOC, blog
1797 – Anne-Louis Girodet, Portrait of Jean-Baptiste Belley
In 1790-1799, 18th century, artwork analysis, BIPOC

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As the 20th century came to a close, fashion reach

As the 20th century came to a close, fashion reached its most casual. Both men and women adopted grunge fashion in the early part of the decade and loose, oversized clothing and jeans became staples. As the decade progressed, women’s fashion became more streamlined as minimalism became de rigueur, while children’s clothing often featured popular Disney characters. See the link in bio for our decade overview!

#1990s #90sfashion #fashionhistory

Gigot sleeves were sleeves that were full at the s

Gigot sleeves were sleeves that were full at the shoulder and became tightly fitted to the wrist; they are also known as leg of mutton sleeves. Read more in our term definition! Link in bio.

#fashionhistory #19thcentury
Image citations in article.

Fashion in the 1960s became progressively more cas

Fashion in the 1960s became progressively more casual. Womenswear followed three broad trends: a ladylike elegance, the youthful styles of Mary Quant and the Space Age, and the hippie. Menswear saw an increase of color and pattern, military influence, and fashion icons in the form of rock stars. See the link in bio for our decade analysis!

#fashionhistory #swinging60s #1960s

In Winterhalter’s 1865 portrait, Empress Elizabe

In Winterhalter’s 1865 portrait, Empress Elizabeth of Austria wears a white satin evening dress covered with thousands of silver foil stars shimmering under the layer of tulle. The dress, thought to be designed by Worth, follows trends of the era, but has singular touches, like the stars, befitting her status as Empress. Read more in our artwork analysis! Link in bio.

#fashionhistory #arthistory #19thcentury
Franz Xaver Winterhalter (German, 1805–1873). Empress Elisabeth of Austria, 1865. Oil on canvas; 255 x 133 cm. Vienna: The Hofburg.

This Spring/Summer 2003 ensemble references 18th-c

This Spring/Summer 2003 ensemble references 18th-century menswear, but inflects it with Cavalli’s signature sexiness and characteristic use of both denim and leopard print. Cavalli replaces breeches with a very on trend and daringly short mini-skirt and substitutes a silk bustier for the man’s waistcoat. Read more in our garment analysis- link in bio!

#fashionhistory #robertocavalli #museumatfit

Roberto Cavalli (Italian, born 1940). Ensemble, Spring/Summer 2003 Ready-to-Wear. Embroidered denim and printed silk crepe-de-chine. New York: The Museum at FIT, 2003.45.2. Gift of Roberto Cavalli. Source: @museumatfit

A dagging is an extremely popular decorative edgin

A dagging is an extremely popular decorative edging technique created by cutting that reached its height during the Middle Ages and Renaissance. Read more in our term definition- link in bio!

#fashionhistory #renaissance

Arthur Devis’s 1747 portrait of Mr. and Mrs. Bul

Arthur Devis’s 1747 portrait of Mr. and Mrs. Bull depicts a quite fashionable couple at the beginning of their marriage in what we presume to be their home. A closer analysis reveals that much of the work is likely a fiction, though the clothes they’re sporting–whether their own or imagined–remain fashionable. Read more at the link in bio!

#fashionhistory #arthistory #18thcentury
Arthur Devis (English, 1712-1787). Mr. and Mrs. Bull, 1747. Oil on canvas; 67 x 54 cm. New York: New York University, Institute of Fine Arts, Conservation Center.

Women’s fashion was ornate above all else in 185

Women’s fashion was ornate above all else in 1855, with the crinoline reigning supreme in conjunction with brightly colored silks and satins accessorized with all varieties of tasteful trimmings. Read our year overview in the link in bio!

#fashionhistory #19thcentury

In Renoir’s La Loge, he paints one of his favori

In Renoir’s La Loge, he paints one of his favorite models, Nini Lopez, sitting in a theater box. She wears a black and white striped dress, a fashionable dress style, but a questionable fit for the occasion. Her highly made-up face provoked discussion when the painting was exhibited at the Impressionists’ first group show in 1874. Read more at the link in bio!

#fashionhistory #19thcentury #arthistory
Pierre-Auguste Renoir (French, 1841–1919). La Loge, 1874. Oil on canvas; 80 x 63.5 cm (31 x 25 in). London: The Courtauld Gallery. The Samuel Courtauld Trust.

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