Since the mid-20th century, relations between Africa and China have grown stronger leading to a significant change in the mutual adaptation of fashion between both nations. A 21st century, Sino-African style has been formed by the intercultural meshing of traditional garments, textiles, and motifs.
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Alexander McQueen’s evocative Oyster dress from his Irere collection (2003) is one of his best-known pieces and signifies his avant-garde and provocative approach to fashion.
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As the new decade and millennium dawned, fashion largely continued along the same trajectory that had started in the late 1990s. However, in the aftermath of the September 11, 2001 attacks, fashion returned to conservatism. With the rise of new technology, fashion spread quickly and celebrities played a key role in consumer choices as images were shared through the internet instantly. While popular styles changed over the years, one item remained ubiquitous throughout the decade: denim jeans.
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This 2004 acid green sequin gown embodies the sex appeal and modern lines that Tom Ford’s designs have been known for throughout his career.
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Stephen Burrows is celebrated for his graphic color blocking and innovative use of matte jersey fabric at the height of the disco era. He became one of the first Black fashion designers to achieve international acclaim.
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John Galliano impresses the fashion world at the turn of the century with this champagne-pink, punk rock inspired evening gown. The asymmetrical bias-cut silk, daring slit, and body-hugging boning make the garment sexy, intriguing, and memorable.
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Gucci has taken a thoughtful, creative approach to engaging Chinese consumers. While other brands have fallen into caricature and suffered for it, Gucci has become a beloved and dominant luxury brand in China.
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Two sisters, Mary and Anne Boleyn, contend for the affection of King Henry VIII.
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A mature Queen Elizabeth endures multiple crises late in her reign including court intrigues, an assassination plot, the Spanish Armada, and romantic disappointments.
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This Spring/Summer 2003 ensemble references 18th-century menswear, but inflects it with Cavalli’s signature sexiness and characteristic use of both denim and leopard print (for lining the cuffs). Cavalli replaces the expected breeches with a very on trend and daringly short mini-skirt and substitutes a silk bustier for the man’s waistcoat.
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1869 – Red Silk Dress
katazome (stencil printing)
1905 – André Derain, Lucien Gilbert
Inès Gâches-Sarraute and the Straight-Front Corset
1906 – John White Alexander, Study in Black and Green