When Queen Victoria wore this white dress of Spitalfields silk and Honiton lace to her wedding in 1840, she broke from royal custom and encouraged a lasting tradition for Western bridal fashion.
Tag: wedding dress
In The Hesitant Fiancée, Auguste Toulmouche steps away from his usual depiction of beautiful yet idle women Emile Zola described as “Toulmouche’s delicious dolls.” He refines his style by painting a more complex subject–one of an arranged marriage that the bride clearly rebels against, as evidenced by the subject’s direct gaze. Despite the shift of the subject matter, Toulmouche keeps to his standard of painting lavish gowns and luxurious backdrops.
- 1840 – Queen Victoria’s Wedding DressIn 1840-1849, 19th century, garment analysis
- 1872 – Emile Pingat, Visiting DressIn 1870-1879, 19th century, garment analysis
- 1904 – John Singer Sargent, Lady Helen Vincent, Viscountess D’AbernonIn 1900-1909, 20th century, artwork analysis
- 1878 – James Tissot, EveningIn 1870-1879, 19th century, artwork analysis
- clocks/clockingIn 17th century, 18th century, 19th century, C, term definition