Category: 1860-1869

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1869

In 1869, women were beginning to wear bustled silhouettes, often with trains. Bright synthetic dyes continued to be popular and a taste for 18th-century revival elements like the polonaise was growing.

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1866 – Auguste Toulmouche, The Hesitant Fiancée

In The Hesitant Fiancée, Auguste Toulmouche steps away from his usual depiction of beautiful yet idle women Emile Zola described as “Toulmouche’s delicious dolls.” He refines his style by painting a more complex subject–one of an arranged marriage that the bride clearly rebels against, as evidenced by the subject’s direct gaze. Despite the shift of the subject matter, Toulmouche keeps to his standard of painting lavish gowns and luxurious backdrops.

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1867

1867 saw an increasing popularity of princess-cut dresses (those without a waist seam) as well as a greater emphasis on back volume as the crinoline begins to disappear. Men’s trousers began to be more narrowly cut in the “French style.”

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