Vigée Le Brun’s infamous portrait of Marie Antoinette embodies the tension between fashion and politics in 18th-century France.
Tag: artwork analysis
The black fabric that tones down Doña Maria Tomasa Durán López de Cárdenas’ extravagant dress, along with the religious subtext of her portrait, demonstrate the subtle differences that the fashions of New Spain had with those of Europe.
In this lively portrait of Carmencita, William Merritt Chase suggests the audience’s enthusiasm for her dancing by including a gold bracelet and flowers tossed at her feet. The celebrated dancer was painted by many other artists—usually wearing an extravagant dance costume—but none captured her exuberance quite like Chase did in this portrait.
Well-known in the 19th century for his skill at portraiture, Wintherhalter created iconic mannered poses and captured ravishingly elegant dresses, like those in this portrait of the Empress Eugénie and her ladies in waiting, who dress in the most fashionable styles of day.
- 1860 – Cream silk evening dressIn 1860-1869, 19th century, garment analysis
- 1948-1987 – Willi SmithIn 1970-1979, 1980-1989, BIPOC, designer profile, LGBTQ+
- 1952 – Christian Dior, La CigaleIn 1950-1959, 20th century, garment analysis, LGBTQ+
- 1882 – John Singer Sargent, El JaleoIn 1880-1889, 19th century, artwork analysis, LGBTQ+
- 1856 – Jean-Auguste-Dominique Ingres, Madame MoitessierIn 1850-1859, 19th century, artwork analysis