tupu
A tupu is a long pin used to secure a garment worn across the shoulders. It was typically worn by Andean women in South America.
14th century, 15th century, 16th century, 17th century, 18th century, 19th century, Americas, ancient, T, term definition
A tupu is a long pin used to secure a garment worn across the shoulders. It was typically worn by Andean women in South America.
A large standing lace collar supported by wire, worn by both men and women in the late 16th and early 17th century.
This 16th-century portrait attributed to Annibale Carracci is valuable for its realistic depiction of a Black sitter, possibly a seamstress, who is dressed in a fine but sensible black day dress with touches of Italian luxury.
Queen Elizabeth I’s striking ensemble in The Ditchley Portrait by Marcus Gheeraerts the Younger embodied the height and extremity of 1590s court fashion.
The padding used to structure clothing and create fashionable silhouettes in the 16th and 17th centuries.
1590s fashion exaggerated previous styles, with women’s farthingale skirts expanding and men’s hose shrinking further still.
Titian’s portrait of Gerolamo Barbarigo from the beginning of the 16th century captures the young Venetian looking his fashionable best, lavishly dressed for his decade.
Women in the 1570s believed more was more, loved intense decorative effects, and adopted some influences from menswear. Men’s dress was quite curvilinear, with a padded belly, small waist, and large bulbous melon hose at the thighs.
The stiff formality of 1560s womenswear, achieved through boning and high ruffs, was met by equally high collars on men, who also wore increasing pumpkin-sized melon hose and doublets with padding at the front belly.
1580s fashion featured a new, slender silhouette for men, and a contrasting, ever-expanding dimensionality for women. These fanciful styles signaled power, class, and currency.
Spanish fashion was ascendant in the 1550s, from the loose women’s gown—the ropa—and the Spanish farthingale in women’s dress to the narrow-cut jerkins and tight sleeves of Philip II and the must-have men’s outerwear piece, the Spanish cape.
In the 1540s men’s doublets begin to emerge from under to outerwear and their hose increase in volume, beginning to assume a melon shape. Womenswear becomes increasing rigid with stiffened bodices flattening the torso and breasts.