Category: B

pelete bite

19th century, 20th century, 21st century, Africa, B, P, term definition

Pelete bite is a fabric created by the Kalabari Ijo peoples of the Niger Delta region by cutting threads out of imported cloth to create motifs.

bark cloth

19th century, 20th century, Africa, B, term definition

Bark cloth is fabric made out of bark from trees.

back apron (negbe)

19th century, 20th century, A, Africa, B, N, term definition

An oval-shaped decorative pad worn by Mangbetu women over the buttocks in Central Africa.

boubou

19th century, 20th century, Africa, B, term definition

The boubou is an African robe made of one large rectangle of fabric with an opening in the center for the neck. When worn it drapes down over the shoulders and billows at the sleeves.

falling band

1630-1639, 1640-1649, 1650-1659, 17th century, B, F, term definition

A flat and broad white collar often with lace on the edges, worn by men and women in the 17th century.

barbette

1300-1349, 1350-1399, 14th century, 15th century, B, Middle Ages, term definition

A piece of linen which passes under the chin and is pinned at the sides, usually worn in conjunction with additional head coverings during the Middle Ages.

bombast/bombasted

16th century, 17th century, B, term definition

The padding used to structure clothing and create fashionable silhouettes in the 16th and 17th centuries.

buff coat

1630-1639, 1640-1649, 1650-1659, 1660-1669, 17th century, B, C, term definition

A leather version of the doublet that was often, but not exclusively, worn by people in the military in the 17th century.

poke bonnet

19th century, B, P, term definition

A nineteenth-century women’s hat that featured a large brim which extended beyond the wearer’s face.

cuirass bodice

1870-1879, 1880-1889, 19th century, B, C, term definition

A form-fitting, long-waisted, boned bodice worn in the 1870s and 1880s–almost gives the appearance of armor as the name suggests.

bum roll

16th century, 17th century, B, R, term definition

A roll of padding tied around the hip line to hold a woman’s skirt out from the body in the late 16th and early 17th centuries.

busk

16th century, 17th century, 18th century, 19th century, B, term definition

A flat length stay piece that was inserted into the front of a corset to keep it stiff from the 16th century to the early 20th century.

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The 1770s was a time of transition in men and wome

The 1770s was a time of transition in men and women’s dress, particularly for daywear. Informal styles grew in popularity, leading to new fashions that exemplified a ‘casual’ aesthetic. The robe à la française, or sack, ceded its decades-long dominance to other styles and was primarily worn for formal wear. This gave way to a new prominent garment, the robe à l’anglaise, which was worn in England throughout the 18th century as an informal gown alternative. Although a separation formed between formal and informal attire, stiff understructures such as panniers and boned corsets were still utilized under clothing to showcase the proper silhouette of the 18th century. Read more about this decade at the link in bio!

#fashionhistory #arthistory #fashionresearch #digitalhumanities

Using wings from the elytra beetle in embroidery i

Using wings from the elytra beetle in embroidery is a technique that has roots in Mughal India. The practice was appropriated by Europeans in the 19th century, when white muslin gowns were occasionally spotted with these iridescent green wings. This form of embroidered decoration is inextricably linked to colonialism and it has been an item of fantasy and exoticism for more than two hundred years. Read more about the history of this technique at the link in bio!

#fashionhistory #embroidery

In the 1740s, Rococo fashion was all the rage alon

In the 1740s, Rococo fashion was all the rage along with the robe à la française, which was worn as the primary gown for both formal and informal occasions. At the same time, men’s fashion remained just as full as the 1730s. Read more about this decade at the link in bio!

#fashionhistory #18thcenturyfashion

Between the fifth century and tenth century, the C

Between the fifth century and tenth century, the Coclé people inhabited an area in Central America known as Gran Coclé located in modern-day Panama. A remarkable necropolis titled Sitio Conte there contains many precious objects that express social status, political power, and religious beliefs, while also demonstrating expert metal-smithing in the luxurious ornamentation of rulers and depictions of gods. Read more at the link in bio!

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In the 1730s the silhouette of both womenswear and

In the 1730s the silhouette of both womenswear and menswear emphasized shape. At the same time, social events captured by famed artists allowed for the wealthy to display their sense of style and affluence. Read more about the 1730s at the link in bio!

#fashionhistory #arthistory #fashionresearch #digitalhumanities #1730s

Famous designer Elsa Schiaparelli, best known for

Famous designer Elsa Schiaparelli, best known for her collaborations with other Surrealists, created this dress in 1938 as part of her Circus Collection. Schiaparelli was one of the first to pioneer the idea of conceptual collections and the use of innovative materials such as plastic. This dress, which she made in collaboration with Salvador Dalí, holds similarities to one of the figures in his painting Three Young Surrealist Women Holding in their Arms the Skins of an Orchestra from 1936. Read more about the work of Schiaparelli at the link in the bio!

#fashionhistory #schiaparelli #arthistory

The 1760s mark the last decade during which the ro

The 1760s mark the last decade during which the robe à la française dominated women’s wardrobes since its introduction in the 1720s. In the last three decades of the 18th century, other, more informal styles became fashionable for daywear and the robe à la française was increasingly worn for evening. For men, the distinction between the subdued informality of Englishmen’s dress and the colorful formality of Continental styles (particularly those of France and Italy) remained pronounced. Read more about this decade at the link in bio!

#fashionhistory #arthistory #fashionresearch #digitalhumanities

During the 1460s the differences between the fashi

During the 1460s the differences between the fashions of Italy and those of northern Europe deepened. At the courts of Burgundy and France, silhouettes were elongated and angular, from the tops of women’s conical headdresses to the points of men’s poulaine shoes. In Italy, inspired by the art and dress of antiquity, more naturalistic proportions and flowing drapery prevailed. Read more at the link in bio!

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Since the mid-20th century, relations between Afri

Since the mid-20th century, relations between Africa and China have grown stronger, leading to the adaptation of fashion between cultures. Local African dress styles have absorbed elements of Chinese fashion, leading to an individualistic Sino-African look. Designers like Ladunni Lambo and Marianne Fassler feature the intercultural meshing of traditional garments and motifs in their work. Read more at the link in bio!

#fashionhistory #fashionresearch

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