Harlie Des Roches, a historical costumer and living historian, lays out some necessary historical truths about the Black presence in Europe and her own experience in living history.
This important painting of a Black Haitian deputy, once enslaved, commemorates his participation in the assembly that abolished slavery in France in 1794. He wears the tricolored uniform of a deputy of the French National Convention and only his gold earring speaks to his Colonial ties.
This striking plaid ensemble designed by Elizabeth Keckley for Mary Todd Lincoln was on the cutting edge of fashion, but also in good taste – embracing the latest French trends while relying on a distinctively American plaid and minimal trimmings in light of the ongoing Civil War.
Patrick Kelly was the first American designer ever to be admitted to the Chambre Syndicale du Prêt-à-Porter, which governs the French ready-to-wear industry. He unapologetically incorporated his Southern Roots, racial imagery, and expressions of Black joy into his designs; stating “I want my clothes to make you smile.”
- 1952 – Christian Dior, La CigaleIn 1950-1959, 20th century, garment analysis, LGBTQ+
- 1882 – John Singer Sargent, El JaleoIn 1880-1889, 19th century, artwork analysis, LGBTQ+
- 1856 – Jean-Auguste-Dominique Ingres, Madame MoitessierIn 1850-1859, 19th century, artwork analysis
- chantilly laceIn 17th century, 18th century, 19th century, 20th century, 21st century, C, L, term definition
- 1788 – Jacques Louis David, Antoine-Laurent Lavoisier and Marie-Anne LavoisierIn 1780-1789, 18th century, artwork analysis