The image of the Virgin of Guadalupe is one that is intertwined with Latinx heritage and her identifiable symbols have been appropriated as an expression of individuality, identity, and pride.
In a late 18th-century painting organized by skin tone, Agostino Brunias has depicted a range of colonial Dominican fashions from the wealthy elite to the poorest people whom they enslaved.
Harlie Des Roches, a historical costumer and living historian, lays out some necessary historical truths about the Black presence in Europe and her own experience in living history.
This important painting of a Black Haitian deputy, once enslaved, commemorates his participation in the assembly that abolished slavery in France in 1794. He wears the tricolored uniform of a deputy of the French National Convention and only his gold earring speaks to his Colonial ties.
This striking plaid ensemble designed by Elizabeth Keckley for Mary Todd Lincoln was on the cutting edge of fashion, but also in good taste – embracing the latest French trends while relying on a distinctively American plaid and minimal trimmings in light of the ongoing Civil War.
Patrick Kelly was the first American designer ever to be admitted to the Chambre Syndicale du Prêt-à-Porter, which governs the French ready-to-wear industry. He unapologetically incorporated his Southern Roots, racial imagery, and expressions of Black joy into his designs; stating “I want my clothes to make you smile.”
- 1780-1789In 1780-1789, 18th century, decade overview
- 1770-1779In 1770-1779, 18th century, decade overview
- 1760-1769In 1760-1769, 18th century, decade overview
- 1750-1759In 1750-1759, 18th century, decade overview
- Beetle-Wing Embroidery in Nineteenth-Century FashionIn 18th century, 19th century, 20th century, thematic essays