Court painter Élisabeth Vigée Le Brun depicts the extremely fashionable Queen Marie Antoinette wearing late 18th-century French aristocratic costume (a robe à la française).
Tag: art history
Men’s fashion of the 1530s was dominated by the broad-shouldered silhouettes made iconic by King Henry VIII. Women’s fashion showed greater regional variation, with Italian women establishing trends that would soon spread to the rest of Europe in the second half of the century.
In 1520-1529, men and women both began to wear shirts with high standing collars ending in a frill at the neck and cuff, which would later evolve into the ruff. Dark colors continued to grow in popularity, as did everything oversize, among them: codpieces, gown sleeves, and elaborate headdresses.
The second decade of the 16th century featured broad-shouldered silhouettes for men and women, paired with immense sleeves (except for women in Germany, who retained narrow sleeves). Slashing, pinking, paning and other decorative fabric treatments like blackwork embroidery were increasingly common.
Fashion in the first decade of the sixteenth century largely continued the trends of the 1490s, but with a growing Italian influence on men’s and womenswear producing a broader silhouette, as well as an increasing presence of slashing on men’s garments.
Jean-Marc Nattier, an acclaimed 18th-century portraitist, was known for his mythological style, painting women in imagined costume that was only loosely based on fashionable trends, as is true in his 1750/60 Portrait of a Woman.