In the 23rd century, ex-military taxi driver Korben Dallas must assist a mysterious being named Leeloo in recovering four mystical stones that are the key to the survival of the human race.
Tag: fashion research
Emulating the work of Old Masters, William Merritt Chase paints Lydia Field Emmet wearing black as a fashionable color and immediately catches the viewer’s attention with the shocking vertical contrast of a pink ribbon.
The 1760s mark the last decade during which the robe à la française dominated women’s wardrobes since it was first introduced in the 1720s. In the last three decades of the eighteenth century, other, more informal styles became fashionable for daywear and the robe à la française was increasingly worn for evening. For men, the distinction between the subdued informality of Englishmen’s dress and the colorful formality of Continental styles (particularly those of France and Italy) remained pronounced, although this would change in the following decades in favor of the former. The narrowing of the coat that began around 1750 continued in this decade and a low standing collar that would increase in height until the end of the century appeared in the middle years.
The mid-eighteenth century marked the height of rococo influence on women’s dress; colorful floral-patterned silk gowns and matching petticoats with three-dimensional trimmings, often applied in serpentine bands, were shown to advantage over wide panniers. During this and the following three decades, the marchande de modes, or milliner, who supplied and artfully arranged these delicate decorations became increasingly important in the creation of a fashionable gown. The coats of men’s three-piece suits became slimmer, losing the extreme side fullness of the 1730s and 1740s, and the waistcoat shortened to mid-thigh. Although wool was favored for daywear, especially among Englishmen, silks and velvets that might be embellished with embroidery or metallic galloon or lace were still obligatory for formal wear.
Between the fifth century and tenth century, the Coclé people inhabited an archaeological area in Central America known as Gran Coclé, which coincides with the modern-day Panamanian province of Coclé. A remarkable necropolis titled Sitio Conte there contains many precious objects that express social status, political power, and religious beliefs, while also demonstrating expert metal-smithing in the luxurious ornamentation of rulers and depictions of gods.
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