During this decade, men’s fashionable dress exhibited few changes from the preceding ten years, apart from the powdered wig that became noticeably less voluminous. For women, the most significant developments were the decline of the fontange, the elaborate wired headdress that had been popular since the 1680s; the increasingly widespread adoption of the hoop-petticoat, or panier; and, around 1716, the introduction of the robe battante, or sack, a billowing gown that replaced the mantua as everyday dress for women in the 1720s.
Tag: fashion research
As the 20th century came to a close, fashion reached its most casual. Both men and women adopted grunge fashion in the early part of the decade and loose, oversized clothing and jeans became staples. As the decade progressed, women’s fashion became more streamlined as minimalism became de rigueur, while children’s clothing often featured popular Disney characters.
The 1690s silhouette for women was extremely vertical and linear with the long-trained mantua being amplified by the towering fontange lace headdress. The more modest jacket-style mantua bodices are often attributed to the influence of Madame de Maintenon, the secret wife of King Louis XIV. Men’s coats gained fuller skirts and their wigs were now two-peaked and, by the end of the century, powdered gray or white.
No longer “society’s best kept secret” as the Saturday Evening Post called her, Ann Lowe is recognized as a pioneering African American couturier. Her pieces are preserved in renowned museum collections including the Smithsonian, the Metropolitan Museum of Art, and The Museum at FIT.
The young man in this portrait, dressed in formal French aristocratic style, represents the final flourish (or last gasp?) of the ancien régime in the last years before the French Revolution.
In the 1660s, men’s and women’s fashion took on added extravagance. Silk brocades became fashionable for womenswear again and enthusiasm for ribbons in menswear reached its peak. A new style of long collarless coat displaced the doublet by the end of the decade.
- 1860 – Cream silk evening dressIn 1860-1869, 19th century, garment analysis
- 1948-1987 – Willi SmithIn 1970-1979, 1980-1989, BIPOC, designer profile, LGBTQ+
- 1952 – Christian Dior, La CigaleIn 1950-1959, 20th century, garment analysis, LGBTQ+
- 1882 – John Singer Sargent, El JaleoIn 1880-1889, 19th century, artwork analysis, LGBTQ+
- 1856 – Jean-Auguste-Dominique Ingres, Madame MoitessierIn 1850-1859, 19th century, artwork analysis