John Galliano impresses the fashion world at the turn of the century with this champagne-pink, punk rock inspired evening gown. The asymmetrical bias-cut silk, daring slit, and body-hugging boning make the garment sexy, intriguing, and memorable.
This gold-colored silk afternoon dress with its green bows and ruffles that help to emphasize the back of the silhouette was on trend in 1866, but its coordinating trompe l’oeil jacket was very fashion-forward.
This afternoon dress, though not extravagant compared to some of the elaborately decorated gowns of 1874, proves to still be en vogue due to its bustled silhouette, tight-fitting bodice with an elongated waist, and decorated high neckline.
“Fashion is so liberal now, that provided a dress is sufficiently clinging, and tied back, anything else may be worn.” Peterson’s Magazine aptly sums up the fashions of 1876-77 and this brass-colored silk day dress.
This charming 1865 cream silk taffeta dress features many design details of fashionable evening looks of the time, like a defined waist and passementerie.
This cream patterned dress trimmed with pleated green ribbons was considered a fashionable garment in 1862 with its full crinoline skirt and simple, but deliberate trimmings.
This green silk day dress, patterned with an abstracted floral design, displays aspects of style associated with the early 1870s. Its bustle silhouette, vibrant hue, and abundance of trimmings all speak to its fashionability and provide an insight into the trends of the year.
This 1863 dress has a simple and standard silhouette for the period—buttoned bodice, wide sleeves, full skirt—but is made fashionable by the floral embroidery, sash, and “Mexican blue” color.
This green silk afternoon dress is made fashionable for a woman in 1868 by its vibrant green color, its high neck and bustled skirt silhouette, and its embellishments of bows, trim, and tasseled fringe.
Playing on the tradition of the 1970s leisure suit, American designer Ralph Lauren, presented a three-piece denim suit as a part of his 2015 luxury Purple Label Collection. Hybridizing two classically favored menswear items such as the navy suit and contemporary favorite dark denim, Lauren is able to suggest the marriage of two very distinct garments. The look tiptoes the line between dressy and casual daring the fashion industry and consumers alike to keep evolving beyond the status quo.
This Spring/Summer 2003 ensemble references 18th-century menswear, but inflects it with Cavalli’s signature sexiness and characteristic use of both denim and leopard print (for lining the cuffs). Cavalli replaces the expected breeches with a very on trend and daringly short mini-skirt and substitutes a silk bustier for the man’s waistcoat.
In the 1860s, white cotton piqué afternoon dresses like this one with black cording were often recommended for summer walking for their sturdy breathability.
1870-1879
1963-1969 – André Courrèges, Coat
1880-1889
1970-1979
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