Beetle-Wing Embroidery in Nineteenth-Century Fashion
Beetle-wing embroidery: a colonialist fantasia and exotic fad in nineteenth-century England and America. Fig. 1 - Collector unknown (British). Beetles, before 1951....
Beetle-wing embroidery: a colonialist fantasia and exotic fad in nineteenth-century England and America. Fig. 1 - Collector unknown (British). Beetles, before 1951....
The young man in this portrait, dressed in formal French aristocratic style, represents the final flourish (or last gasp?) of the ancien régime in the last years before the French Revolution.
Decorative and strengthening embroidery on stockings in Europe and America during the 16th-19th centuries.
This late 19th-century embroidered tea gown combines design features of several artistic movements of the time, including historicism, Japonisme, and Art Nouveau.
Ornamental braid or cording that can function as a garment closure, or be solely decorative.
Pompeo Batoni became the premiere portraitist for 18th-century English, Irish and Scottish gentlemen during their visit to Rome on the Grand Tour, as seen in this portrait of an unknown young man.
This unknown, extravagantly dressed woman wears fashions similar to those of Queen Elizabeth I, which long prompted confusion about the sitter’s identity.
An additional accent or embellishment in silk or metallic threads, such as an embroidered braid, tassel or fringe.
This Spring/Summer 2003 ensemble references 18th-century menswear, but inflects it with Cavalli’s signature sexiness and characteristic use of both denim and leopard print (for lining the cuffs). Cavalli replaces the expected breeches with a very on trend and daringly short mini-skirt and substitutes a silk bustier for the man’s waistcoat.